My latest piece about Nabil Anani’s new show, currently at Zawyeh Gallery, just came out for The New Arab.
Nabil is one of the founders of the contemporary Palestinian art movement. His works highlight Palestine’s folkloric culture and seek to foster national pride beyond Israel’s 75-year occupation.
The new Dubai show of Ramallah-based artist Bashar Alhroub looks at his native city Jerusalem as a place with multiple identities. “When you are in Jerusalem,” Alhroub told me, “you never feel you are in one single place. You never feel that the city is belonging to anyone, although everyone claims it as theirs.”
The artist’s new show opened on 14 November at Zawyeh Gallery in Dubai, and last until 5 January. Called “Tracing Boundaries”, the artist focuses on Jerusalem as a religious symbol, while also looking at it as a subject of pop culture. He traces the boundaries between holiness and material culture and invites the visitor to observe a fine line between spirituality and commercial clutter.
I have interviewed the artist for Middle East Monitor
Starting Palestine’s first ever art fair during a global pandemic may seem a daunting proposition, but for Ziad Anani and Yusef Hussein, of the Zawyeh Art Gallery, it was a much needed way to bring Palestinians together in testing times.
I reported and wrote the story for Middle East Eye.
I have interviewed Palestinian artist Rana Samara for Middle East Monitor. Rana is a highly inquisitive, courageous and determined woman. These characteristics propelled her to pursue a bachelor’s degree in Fine Art as a mother of three children from a conservative background. Her passion for art has led her to a two-year MA in Fine Art at Northwestern University, Chicago.
The backbone of Rana’s work are conversations with women about gender and intimate relations. Her latest series of work called “Intimate Space”, was presented by Ramallah’s at Art Dubai 2017 and put the spotlight on the depth and complexity of the research of Palestinian artist.
Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.