Naima Morelli

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I’m writing about Libyan contemporary art once again, this time for The New Arab, a magazine I regularly read, and I’m happy to start collaborating with.

The piece is based on an interview with Libyan curator Wareda Elmehdawi, who seeks to shed light on the richness of Libyan art history through her family’s work with the historical Tripoli Art House.

Here is the link to the piece

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