For architect and artist Sarri Elfaitouri, starting from scratch in Benghazi is an existential necessity. After the March 2023 demolition of the city’s historical center, he reflects on urbanism, social reforms, and the legacy of colonialism in Libya.
I have interview Elfaitouri for The Markaz Review.
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Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.
Reach out: contact [at] naimamorelli.com
