Naima Morelli

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Tag "richard koh fine arts"

I’m very happy to announce that “This is how it is” the monograph of Malaysian artist Yeoh Choo Kuan, is finally out, published by Richard Koh Fine Art. I have written the book’s texts that translate and interpret the different phases of the artist’s career, and realized interviews that figure as segments in the book.

The book features also a foreword by curator and critic, Louis Ho and was edited by writer Rosa Maria Falvo. It presents a number of images of the artist’s work, from his formative years (2011-2014) to the more recent installations and the iconography of traditional Sinophonic visual culture (2018-2020).

You can find the book at Richard Koh Fine Art

From the first dialogues with the artist and the gallerist back in 2019, to visiting the artist’s studio and getting to know the artist’s environment in January 2020 – right before the start of the pandemic – it has been an incredible journey of discovery. Both in the real world – getting to Kuala Lumpur to see the works in person – and at my working table, through the process of writing.

So, about the writing. To talk about some artworks you necessarily need to excavate deep truths. And Choo Kuan’s monograph was definitely a work where the pen was really attuned to the spirit. What I mean by that? Let me back off a bit and explain where I come from in terms of books.

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CoBo has just published my interview with Maline Yim, which I realized some time ago during my Cambodia reportage, adding some reflections based on “The Shadow of Change,” her solo exhibition earlier this year at Richard Koh Fine Art in Singapore.

“Yim lives in a house surrounded by a garden, which the artist personally tends to. The flower and plants are protected from the outside by a wall, representing a boundary that likewise allows safety for a life shaped by her gift for art-making. Here, Yim can be the nurturer—of her plants, her family and her art practice. “

Here is the link to the interview

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One of the most relevant Malaysian artists of her generation, Yogyakarta-based Nadiah Bamadhaj uses sculpture, drawing, collage and video to challenge the restrictive societal norms in Southeast Asian countries and explore body politics.

I have interviewed her for the webmagazine Qantara

Here is the link to the interview

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