![Team photo from left to right:
Amélie Kalafat (Artistic assistant)
Clara Alabed Alnaef, (Partnership & communication),Joanna Chevalier (Artistic director), Laure d’Hauteville (Founder & fair director), Tara El Khoury Mikhaël (Gallery relations), Léonie Racy (Scenographer), Camelia Esmaili, (Special Project Advisor) [@Irenederosen]](https://i0.wp.com/www.middleeastmonitor.com/wp-content/uploads/2023/09/2%C2%B0-equipe-menart-fair-2023-scaled.jpg?fit=1200%2C798&ssl=1)
The successful Menart Fair, that has just concluded in Paris, is showing how artists from the Middle East and North Africa (MENA) are leading the conversation, while also opening up new perspectives in the European cultural arena.
I wrote the piece for Middle East Monitor
Here is the link to the article
Read More![Le Monnaye de Paris, ASIA NOW’s location [Naima Morelli]](https://i0.wp.com/www.middleeastmonitor.com/wp-content/uploads/2022/10/1e6e4d869ad62566-photo-e1667220053301.jpeg?resize=1197%2C795&quality=85&strip=all&zoom=1&ssl=1)
With its two leading art fairs, Paris + Art Basel and ASIA NOW, as well as exhibitions scattered around the city, Paris Art Week 2022 had an extensive presence of Middle Eastern artists and galleries, and paid strong attention to the current situation in Iran.
I wrote the story for Middle East Monitor.
Here is the link to the article
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“The magical realism that resonates with me the most is the religious mythology that is born out of the Arabian Peninsula,” she tells me. “Until recently, there were minimal efforts to unearth all the erasure of pre-Islamic mythologies and histories in the region. I became interested in all the negative spaces that were vacant and allowed for a re-imagined social landscape to form.”
The webmagazine Middle East Monitor has just published my interview with Emirati artist Mooza Almatrooshi.
Here is the link to the interview
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The webmagazine Global Comment has just published my interview with Silvia Moresi and Claudia Comito, authors and curators of the book “Arabpop”, a deep dive into the cultural manifestations, shades and consequences of the Arab Springs.
Here is the link to the article
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The 2019 Venice Biennale has asked artists to step into the socio-political realm, in the middle of far-right Matteo Salvini’s Italy. And they have done it, dismantling Orientalism and getting the Mediterranean closer together in the process.
My first article on this 2019 Venice Biennale has just been published by Middle East Monitor.
Here is the link to the article
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“It is not usual to find a politically and religiously conservative country going hand in hand with being one of the most culturally active. An exception is Sharjah, a unicorn in the United Arab Emirates.”
The webmagazine Middle East Monitor has just published my article on the Sharjah Biennale.
Here is the link to the article
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My piece “New documentary puts Palestinian hip-hop in the spotlight” has just been published on the webmagazine Middle East Monitor. In this article I interview Giulia Giorgi, director of the documentary “Break the Siege” (Baburka Productions).
This uplifting 20-minute film gives an insight into the Palestinian hip-hop scene. The storyline follows preparations for the “Hip-Hop Smash the Wall” event which took place over the course of one week in Ramallah and Jerusalem in 2014 and brought together hip-hop artists from Palestine and Italy. In the piece I also spoke with Roman graffiti artist Gojo, who tells about his impressions of the hip-hop scene in Ramallah.
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“I never decide in advance why I want to talk about a subject; it just arises from the context. The wall in particular is a symbol that speaks to me strongly,” says Tunisian-Russian artist Nadia Kaabi-Linke, to explain her new work at Dallas Contemporary gallery. “For me, walls mean separation. But walls are also skins that say something about a city and the people who live there in hidden ways,” she observes. “I have always been interested in revealing the invisible.”
Nadia Kaabi-Linke was born in Tunis in 1978 to a Russian mother and Tunisian father, she studied at the University of Fine Arts in Tunis before receiving a PhD from La Sorbonne in Paris. Her installations, objects and pictorial works are embedded in urban contexts, intertwined with memory and geographically and politically constructed identities. She currently has a solo show, called “Walk the Line”, at Dallas Contemporary in Texas, USA, from September 20 until December 21. I have interviewed Nadia for Middle East Monitor , asking her about her personal path through art, the Tunisian contemporary art scene and the theme of migration in her work.
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British webmagazine Middle East Monitor has just published my interview with Italian researcher Luce Lacquaniti, author of the upcoming book “I Muri di Tunisi: Segni di Rivolta” (The Walls of Tunis: Signs of Revolt). I walked away from interviewing Luce inspired and excited – she is extremely knowledgeable and passionate with her subject matter. Plus her research has all the elements that I’ve always loved – the people, the art and the revolution. I really can’t wait for her book to come out!
Here’s the link to the interview
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Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.
Reach out: contact [at] naimamorelli.com
