Naima Morelli

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Tag "memo"
Affiche de l'exposition "Revenir" © passeport - photo David Giancatarina, Sfeir-Semler Gallery Hamburg/Beirut, Adagp, Paris, 2024 et © archives famille Ghoussoub Feghali, Collections du Muse national de l'histoire de l'immigration - Établissement public du Palais de la Porte Dorée

As I walked to the museum in the southern French city, some graffiti on a restaurant shutter caught my eye: “If a place attracts you, it’s because there is something waiting for you, and your story there has already been written.”

These words stuck with me as I turned the corner and the incredible MUCEM building stood before me, epic in shape and location, silhouetted against the cloudy sky, seemingly suspended on the sea.

“Revenir” focuses on the idea of home, travel and returning. This is not only the scope of the show, but the wider project of the museum, which is dedicated to Mediterranean cultures, especially to that very specific blend for which this city port is renowned.

Running until 16 March at the Museum of European and Mediterranean Civilisations (MUCEM) in Marseille, the exhibition “Revenir” (“Return”) invites visitors to explore the experiences of returning to one’s homeland.

I wrote about the show for Middle East Monitor.

Here is the link to the review

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Farah Saleh in What My Body Can/t Remember (2019) © Chris Scott , courtesy of the artist

Where does a refugee find her homeland? Perhaps in unexpected places; a memory of the country might emerge through the most mundane gestures, or even from a simple interaction with certain objects.

I spoke about this subject with Palestinian dancer Farah Saleh for Middle East Monitor. Farah is preparing a new interactive live performance installation called PAST-inuous for the upcoming Dance International Glasgow.

Here is the link to the piece

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khalilrabah1

It should written of the information leaflet, like the one you find in medicine boxes: long term exposure to contemporary art changes your way of thinking. It gives you a complexity of thinking and variety of perspective on issues, which is extremely important. For example, the work of Palestinian artists Khalil Rabah – especially his “Palestinian Museum of Natural History and Humankind” is one that urges people re-consider reality in other terms – especially because here the boundaries between artwork and actual history-making institution are really thin. It was a privilege to have the chance to interview him for Middle East Monitor, after having seen his work at MACRO Museum in Rome.

Here’s the link to the interview

 

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memorandamaddah

Middle East Monitor has just published my article about Syrian artist Randa Maddah, whose work has recently been presented in the exhibition “A Hair Tie” at Gallery One in Ramallah, Palestine.

Here’s the link to the article

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memopalestinehiphop

My piece “New documentary puts Palestinian hip-hop in the spotlight” has just been published on the webmagazine Middle East Monitor. In this article I interview Giulia Giorgi, director of the documentary “Break the Siege” (Baburka Productions).

This uplifting 20-minute film gives an insight into the Palestinian hip-hop scene. The storyline follows preparations for the “Hip-Hop Smash the Wall” event which took place over the course of one week in Ramallah and Jerusalem in 2014 and brought together hip-hop artists from Palestine and Italy. In the piece I also spoke with Roman graffiti artist Gojo, who tells about his impressions of the hip-hop scene in Ramallah.

Here’s the link to the piece

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