My article about the pros and cons of Australian artists trying to build a career overseas has just been published on the webmagazine Arts Hub with the title: “Should you go international? – Australians no longer need to look overseas to build an arts career but it remains a temptation and a challenge.” For this article I gave voice to some of the artists I interviewed during my reportage in Australia.
Here’s the link to the article
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The Italian magazine Artribune just published the interview I had in Melbourne with the artist Mark Hilton. The interview is part of my reportage about the Melbournian Art Scene.
Here you are the link to the interview
Here you are the pictures from my visit to the artist’s studio
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I recently visited the studio of the Australian artist Mark Hilton in Melbourne.
He just moved from his old studio in Fitzroy to a new one in Abbotsford, so unfortunately he did’t have many past works to show me.
Anyways the one he was currently working on was complex enough to monopolize my attention.
The project is a continuation of “Hunting Where The Ducks Are”, a series of high reliefs depicting the darkest issues of contemporary society.
Every piece was shaped like a letter. In the end they will form the sentence:”Don’t Worry”.
In this work there is a striking contrast between appearance and truth, something in which Mark has always been interested.
Some of the scenes represented on the high reliefs are inspired to current affairs, like often happen in the previous production of the artist, other ones are drawn from the artist’s personal memories. There is no narrative connection between the pieces, although we can find a train as recurrent element.
The aesthetic look of the artwork is inspired by the decoration of the doors of the Duomo in Milan, where the artists had a residency in 2007.
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Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.
Reach out: contact [at] naimamorelli.com
