From spiritual heights to the depths of the flesh, Malaysian artist Yeoh Choo Kuan has filtered the broad spectrum of human emotions and tension through the medium of abstract painting.
I have always felt a special kinship with the artwork of artist Yeoh Choo Kuan. A few years ago I wrote the texts for his monograph published by Richard Koh Fine Art, and a couple of months ago I have interviewed him for ArtAsiaPacific about his recent Singapore show.
I’m very happy to announce that “This is how it is” the monograph of Malaysian artist Yeoh Choo Kuan, is finally out, published by Richard Koh Fine Art. I have written the book’s texts that translate and interpret the different phases of the artist’s career, and realized interviews that figure as segments in the book.
The book features also a foreword by curator and critic, Louis Ho and was edited by writer Rosa Maria Falvo. It presents a number of images of the artist’s work, from his formative years (2011-2014) to the more recent installations and the iconography of traditional Sinophonic visual culture (2018-2020).
From the first dialogues with the artist and the gallerist back in 2019, to visiting the artist’s studio and getting to know the artist’s environment in January 2020 – right before the start of the pandemic – it has been an incredible journey of discovery. Both in the real world – getting to Kuala Lumpur to see the works in person – and at my working table, through the process of writing.
So, about the writing. To talk about some artworks you necessarily need to excavate deep truths. And Choo Kuan’s monograph was definitely a work where the pen was really attuned to the spirit. What I mean by that? Let me back off a bit and explain where I come from in terms of books.
The webmagazine and collector’s platform CoBo has just published my interview with artist Umibaizurah Mahir Ismail, who is known to pushing the boundaries of ceramic work in Malaysia.
First signs of my research here in Singapore. Australian webmagazine ArtsHub has just published my article on the National Gallery of Singapore, which will open to public on the 24th of November.
Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.