Naima Morelli

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Tag "lifestyle"

georginaadam
Hong-Kong based webmagazine and collector’s platform CoBo has just published my latest article called “Being a collector as a lifestyle choice: Interview with Georgina Adam”.

Writer and journalist Georgina Adam is the author of “Big Bucks: The Explosion of the Art Market in the 21st Century”, an important book which does exactly what is says on the tin: retracing the history and the main players of the art market as we see and experience it today.

We talk about what are the consequences of this market explosion for collectors, the ’80s as the decade in which everything changed and more.

Here is the link to the interview

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imagazine

The Indonesian magazine I Magazine Bali has just published my review of  the Bali Bulè exhibition at Museo Archeologico in Naples, featuring artists Bickerton, Ontani and Sciascia.

Here the link to the magazine website

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howto2

I just came back from my 32nd interview for my reportage in Australia, so I finally feel like I can tell my opinion about how to interview an artist.

The first thing you have to do is obviously contact the artist and you usually do that through her/his mail on her/his personal website.
The first mail has to be a quite formal style, without exaggerating though.
You have to be short and clear, explaining the artist why you want to interview her/ him and what aspects of her/his work are you interested in.
If your interview is part of a bigger project, like a reportage, spend a few words to inform the artist about it.
Don’t forget to explain her/him if this is your own project or if you are working for a magazine.
In this last case it would be nice to put a link to the website of your magazine, so the artist can have a look.
Put also your own website or blog in the signature, along with your personal page on a web magazine that hosts your work, if you have one.
That would give you credibility and would also give the artist the possibility to take a peek at your style and at the kind of articles you usually write.
The next mails would probably me more informal. At this point you can get rid of all the links in your signature, the “best” and “regards” and sign with just your given name.

In your second mail you can suggest the artist a place where you can have the interview.
The most common places are the artist’s studio, a nice and quite café, the space where the artist has currently a show or the gallery that represents him.
Give options to the artist. To meet her/him in his studio would be ideal – you can guess much more from the artist’s natural habitat than from outcomes of a simple conversation.
Of course, you can suggest to meet in the studio, but not all the artists have one and not everyone is happy to let a suspicious journalist or art critic in. If the artist tells you that his studio is empty or messy at moment, just don’t bother. Above all don’t insist.

If you are doing the interview in your own city, you probably would know the most quiet and suitable cafe for an interview. If you are abroad don’t be shy, just ask the artist if he knows a nice cafe to meet.
The choice would probably tell you something about the artist lifestyle and tastes.
In any case discover new places in a new city is always exciting.

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3

Productivity and Bohemia are concepts which are seldom associated.
You have to admit though that having grown up reading Sartre and Simone the Beauvoir – or at least having seen the pictures – you are not immune to the charms of café.

Every city has is own aesthetic when comes to cafés.
Not everyone is snob enough to live in Paris and go to the Café De Flore – whom has turned into an established place for loaded folks anyways.
What it is left to us is send to hell the Café De Flore, and create our own, well… café mythology.

If you live in Rome you certainly know the cafés Canova and Rosati in Piazza del Popolo.
During the sixties these two cafés gathered the so called “artists from Piazza del Popolo”, but now Canova and Rosati are the equivalent of the ultrachic cafés in Saint Germain, Paris.
Sure, it is always cool to pass by Piazza del Popolo and say hi to the Italian dandy artist Ontani– last time I checked he had a permanent permit to be parked at Canova – yet these cafés are too posh for us.
Same things with the cafés in Via Veneto, once Antonioni, Mastroianni and Fellini’s reign.

You have to consider as well that in Italy there is this tradition of kicking you out if you take too long to sip your coffee.
If you are in Rome and you are a writer looking for a place to read and write quietly, you will be likely accepted in some cosy and shabby-chic looking cafés in Via Giulia, Pigneto or San Lorenzo.
You can start to create your own café mythology from there.

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5

Ubud, Bali, Indonesia.
Non fatevi ingannare dalla bellezza del posto; dietro la luce che rende smeraldina l’erba, dietro le ranocchie spiaccicate sull’asfalto da jeep di passaggio e dietro le palme che sbadigliano sornione, c’è ancora tanto da fare, tanto da combattere.
Gede lo sa. Gede è nato qui e sua scelta di vita è stata quella di tornare a vivere ad Ubud, nelle risaie, dopo i suoi studi alla prestigiosa accademia d’arte nella capitale culturale dell’Indonesia, Yogyakarta.
Quello che rende la storia e l’arte di Gede così interessante è che, a differenza di molti artisti balinesi in fuga dell’isola o piegati al commerciale, lui ha deciso di rimanere e di condurre la sua battaglia sociale attraverso dipinti dalla satira feroce e plateali installazioni.
L’appuntamento è alla “Luden House”, un Warung/studio artistico inerpicato in una splendida zona di Ubud piena di ville in costruzione.
Se ancora avevo qualche dubbio su come trovare il posto, una grande scritta immacolata in mezzo alla risaia “NOT FOR SALE”, mi segnala di essere arrivata.
Gede, un ragazzo dal sorriso amichevole, si gode il sole ad uno dei tavoli fatto di copertoni verniciati di bianco – in Europa tale arredamento sarebbe già oggetto di design – mentre bambini allegri disegnano tutto intorno e ragazzine si fanno le foto davanti alla risaia.
Cominciamo a parlare in inglese, poi al momento di mostrarmi i suoi quadri, sceglie l’indonesiano.
Mi mostra questa serie di dipinti dove i protagonisti sono una rana avida, e un doberman.

– Di che si tratta questo lavoro?

Questa qui è una serie di cento quadri, non ancora terminata, concepiti come un fumetto. La storia parla di questa rana, rappresentante un po’ tutti i balinesi, che viene convinta da questo cane a vendere il proprio campo di riso.

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