My fifth piece for Middle East Eye is about a Lebanese comic book which tells forgotten stories of country’s feminist struggle. Called ‘Where to, Marie?’, this comic book distils a century of overlooked feminist battles through the stories of five fictional characters. I have interviewed the authors.
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Middle East Monitor has just published my interview with Lena Merhej, Karen Keyrouz and Barrack Rima, members of the Lebanese comics collective Samandal
Here is the link to the article
Read More![Whirling on site at Beit Beirut [Zena el Khalil]](https://i1.wp.com/www.middleeastmonitor.com/wp-content/uploads/2020/09/Zena-el-Khalil-whirling-on-site-at-Beit-Beirut-e1601031138142.png?resize=1032%2C687&quality=85&strip=all&zoom=1&ssl=1)
In my research on contemporary art I started to focus a lot on the spiritual values that artists carry with them and let come through their artworks and practice – despite the many hardships they might be facing.
In this sense, the life experience of Zena El-Khalil, a wonderful artist I had the pleasure to interview for Middle East Monitor, is emblematic. We talk specifically of her way of coping with the terrible explosion that has devastated Beirut, and the way art and her spiritual practice have helped her to look for the spring to come.
Kicking off the new season of articles with this interview makes me really proud, warms my heart and encourages me to look at the struggles in life with a different perspective. Hope it will do the same for you:
Here is the link to the article
I feel today the MAXXI Museum in Rome is the one contemporary art institution who is really nailing it in the Eternal City. The multifaceted and highly political show “Home Beirut: Sounding the Neighbors” is proof of that. The exhibition focuses on Beirut artists representing city’s development and destiny, and introducing the local artistic scene to a European public.
This show is the third chapter of the “Mediterranean Trilogy” through which the MAXXI has been examining the interaction between the artistic communities of Europe and the Middle East. The aim is prompting the birth of a new trans-Mediterranean culture, critically important for the global landscape of artistic creation.
The show presented 30 artists, architects, filmmakers, musicians, dancers, researchers, activists negotiating between critical reflections of recent history of conflicts, through archiving and re-enacting memories, and prospection of the future, through attempts of urban transformation and global outreaching.
Here is the link to the review
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Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.
Reach out: contact [at] naimamorelli.com
