Naima Morelli

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Tag "jakarta"

For my second collaboration with the magazine Qantara I have interviewed Indonesian writer Feby indirani. I loved her book “Not Virgin Mary”, which has been recently translated in Italian by Prof. Antonia Soriente and published by Add Editore. The book provided a light-hearted and almost zen perspective on Islam in Indonesia.

I met Feby in Rome during her European book tour. I have found out she is not only an excellent writer but also a lovely person; we had a wonderful conversation.

Here is the link to the interview

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edwinjurriens
The magazine of the Asia-Europe Foundation Culture360 has just published my interview with Dutch researcher and lecturer in Indonesian Studies at The University of Melbourne Edwin Jurriëns. Edwin has just published a book with Routledge called “Visual Media in Indonesia”, where he analyses how in Indonesia, in the age of digital communication and global capitalism, people’s mental, social and natural environments are interconnected.

Here is the link to the interview

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artapartpisani

Little post to say that Art a part of Cult(ure) – the Rome-based art web magazine I have been writing for since 2010 – has just published the Italian version of my interview with the one and only Elizabeth Pisani, badass adventurer and epidemiologist (that’s right!), trawling around Indonesia to write the tome “Indonesia Etc.” The interview happened thanks to the mediation of another wonderful kickass gal, Ilaria Benini from the publishing house ADD Editore – you might want to google her to check the work she has done in Myanmar as well.

Here is the link to the interview 

Also, another set of considerations, since this morning I feel talkative. What would you do in life if you hadn’t any obligation  or responsibility? This is a recurrent topic I have been discussing with my friends and my ninjas lately. In my case, I had no doubt: I would keep doing exactly what I’m doing right now; I believe that this job I have created for myself is perhaps the coolest.

The contemporary art world can be a tricky one. Sometimes it can feel like you are working for something that has no meaning and is quite superficial (this is from a chat with another contemporary art super-villain friend of mine, who is in an existential crisis right now). For me, this feeling disappears when I met people like Elizabeth Pisani, who are of course not about contemporary art, but about the taste for adventure, learning, knowledge.

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indopoppainting


Indo Pop Painting draws influences from comics and graffiti. In this essay for the Hong Kong-based webmagazine CoBo I analyze a style that goes beyond a simple market trend. From the “fathers” of the style, such as Eddie Hara, Heri Dono and Agung Kurniawan, to the “older brothers” Uji ‘Hahan’ Handoko and Eko Nugroho, and the plethora of younger 20-something artists, Indo Pop is here to stay.

Here is the link to the article

 

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eddysusanto

Lately I haven’t written a whole lot of art critique in the real sense of the word, dedicating myself more to articles or interviews. Every so often though, I encounter artworks that I just can’t shut up about. This is the case with the latest pieces of Indonesian artist Eddy Susanto, who is one of my favorite contemporary artists ever; so I wrote this piece for CoBo, reading through the cross-references inside “Transhumanism Paradox (Dante’s Divine Comedy)” and “PANJI: The Linguistic Culture of Southeast Asia”, which will be realized for the upcoming Singapore Biennial. The first work was particularly interesting to explore as an Italian researching Indonesian art; it was the perspective of an Indonesian artist on what is a staple of Italian literature.

Here is the link to the piece

 

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FendryEkel

The Hong-Kong based magazine Cobo has just published my interview with artist Fendry Ekel. Ekel moved from Indonesia to the Netherlands in the ’80s, where he studied art mentored by top-notch artists such as Luc Tuymans and Michelangelo Pistoletto.

Growing up in a family with a military background, for Ekel being an artist was an intentional choice. Painting is his medium of selection, and he is aware that the visual and conceptual aspects of an artwork go hand in hand. In his recent solo show “1987” at Galeri Nasional Indonesia, Fendry Ekel recreated a mental journey of the mankind through a series of monumental paintings.

Here’s the link to the interview
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indocollectorsmuseums
The Hong-Kong based webmagazine and platform CoBo has published my latest article called “Are Collectors Doing the Job of the Government in Indonesia?” In the piece I discuss the substantial role of Indonesian collectors in changing local art scene through the establishment of private museums – an act to substitute the role of local government’s in the promotion of contemporary art.

Here’s the link to the article
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Pinkswing_Park_Agus_Suwage_David_Linggar
“In a constant relating western and eastern art, Naima dissects and offers interesting models that make legible the ‘new’ culture even to those who aren’t introduced to it”

Arts writer and curator Maila Buglioni has written a very interesting review about my book “Arte Contemporanea in Indonesia, un’introduzione” for the webmagazine Artnoise. Check it out here (in Italian).

Picture above: Pinkswing Park, Collaboration work for CP Biennale by Agus Suwage and Davy Linggar, 2006. Courtesy of Tyler Rollins Fine Art.

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dolorosasinaga

My interview with Indonesian sculptor and artist Dolorosa Sinaga has just been published on the Italian magazine Art a Part of Cult(ure) with the title “Freedom is the foundation for everything”. In the interview we discuss political activism during the dictatorship, Jakarta vs London and the followers of… Doloism!

Here’s the link to the article

Dolorosa Sinaga’s interview has been my second in Jakarta for my infamous reportage about contemporary art in Indonesia which is now… guess what? A book! In Italian. Which you can purchase here.

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mella1

My interview with the amazing artist and Cemeti House co-founder Mella Jaarsma has just been published on the Aussie magazine Trouble with the title “Mella Jaarsma: Give me shelter” (a title who clearly echoes the Rolling Stones). This is the second interview from my reportage on contemporary art in Indonesia published on Trouble Magazine!

Here’s the link to the interview

Here’s the link to the online version of the magazine

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I have been talking about my so-called “Indonesian book” for such a long time. My profile description at Trouble magazine reads: “she’s currently working on a book about contemporary art in Indonesia that will be published in Italy the near future”. Well, the near future is finally here. My book “Arte Contemporanea in Indonesia – un’introduzione” will finally be published and presented in Rome during a series of exhibition focused on South-East Asia and Australia called “AU.SIAN”, that I will curated with my collegue Roberto D’Onorio at the gallery Parioli Fotografia.

I look at this book as a step in the process of connecting different cultures via contemporary art and people’s stories around contemporary art. Thus the decision to link this book to the wider program of AU.SIAN. I’ll give you guys all the details of the November/December release pretty soon!

“Arte Contemporanea in Indonesia ” is an introduction to contemporary art in Indonesia and looks at how the cultural, social and political conditions in Indonesia have influenced four generations of artists. Through this book I didn’t just learn about art in Indonesia, but I also reconsidered my idea of contemporary art. I started became more and more aware of the context that surrounds contemporary art. I went around asking questions, rather then just see a show, come home and write my thoughts about it. I still consider myself an art critic, but I don’t want to criticize anymore. I want to understand and let people understand what’s behind every human expression. I’m convinced that by giving background coordinates, readers could see beyond the pretty picture. One of the aim of this book is also challenging the outdated western hegemony on contemporary art, a point of view that is still prevalent in Italy.

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Muchlis Fachri is a young artist based in Jakarta, who is also part of the street artist’s crew called TAS – TAS and the artistic collective Aspaleho. We found each other on Facebook and I was amused by his cartoonish and ironically splatter style, with many references to punk aesthetics and popular culture.
Muchlis explained me that he wants to make art accessible to people. I find this conception resonating very strongly with young Indonesian artist in particular (I remember talking about that a couple of years ago with Agung Kurniawan of Kedai Kebun Forum, one of the first galleries to push forward the idea of accessible art, right in the middle of the painting boom in Yogyakarta).
With his practice Muchlis embodies this democratic idea of art, alternating his graffiti practice with conventional painting and the production of merchandise. Indeed, together with his girlfriend Puji Lestari, he also founded the company JUNK NOT DEAD, producing a range of edgy and offbeat products, from posters to bags and dolls – the patches are definitely on my shopping list next time I’ll pass by Jakarta. With a pulp and excessive imaginary, Muchlis Fachri’s art is definitely an artist to keep an eye on.

Did you have a moment when you knew you wanted to be an artist?

I did actually. In senior high school, I would often made unusual things that were different from the ones of the other students, like bags made of a cardboard or I’d decorate my sneakers with drawings. During my third year I visited an exhibition in the Galeri Nasional and I was stroked by the art exhibited – that show has been fundamental to arouse my interest in painting. When I came back home from the exhibition I was so excited that I started painting on canvases and researching about artists.

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