Naima Morelli

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5emergingindoartists
Every time a new article of mine gets published, I’m always so happy and grateful to have a job that allows me to make great discoveries and dwell on great art. That was certainly the case with this piece: “Five Emerging Indonesian Artists”, which has just been published on the webmagazine CoBo.

But of course, nothing comes without challenges. It wasn’t easy to limit myself to just five artists (or collectives, or duos), and of course I  wanted to go beyond the most obvious names that would tick the “emerging” box. On top of that, I tried to get a good ratio of women artists, that often don’t get enough press for a number of reason (I talk about that in another piece) – and yet they create amazing work. So here my version of the top five emerging Indonesian artists! Let me know what do you think, I’m happy to expand on this list in the future!

Here’s the link to the piece
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eddiehara
I’m happy to announce my new collaboration with CoBo as a writer on Indonesian contemporary art. Cobo is an Hong Kong-based  webmagazine and dynamic community platform – bilingual English and Chinese – with the image of the collector at its core and a focus on contemporary art, especially from Asia-Pacific area.

My first piece for CoBo is an interview with the Basel-based Indonesian artist Eddie Hara, a great friend and a badass artist, who was represented by two galleries at Art Stage Singapore. Eddie Hara is known in the art world for his irreverence and playfulness and his painting style is extremely popular among the younger generation of Indonesian artists. Thus I decided to title the piece “the Punk Uncle of Indonesian Contemporary Art”.

In the interview Eddie Hara opens up about the decision that compelled him to move to Switzerland. He also recalls his decision – radical at the time – to study art, consequentially facing his family’s opposition. He talks about the comrades from the early days, who are now big names in the art world. From Heri Dono “he knows everything about my life”, to Mella Jaarsma and Nindityo Adipurnomo.

Here’s the link to the piece

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