My new article for the Financia Times is about a new breed of Korean collectors, the so-called Generation MZ, a terms tha stands for millennials and Gen-Z.
They are focused on works under $50,000, either buying with family money or their own entrepreneurial cash, including at the upcoming Frieze and Kiaf fairs.
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As Hong Kong is gearing up for its art week, I have spoken with collectors and gallerists for the Financial Times to see how the art market is a bit more fragmented than it used to be.
Here is the link to the article
My latest piece for The Financial Times. I have interviewed the Taiwanese artist Su-Hui Yui about his work on collective memories, transgression and technological change in Asian societies that he presented during the Singapore Art Week.
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Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.
Reach out: contact [at] naimamorelli.com
