Naima Morelli

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Tag "danius kesminas"

0Time for a throwback. In February 2013 I left Italy for Australia. I lived in Melbourne for almost an year, and while I was there I started freelancing for English-speaking magazines – though I had already published a couple of pieces for Art Monthly Australia and others the previous year. There I developed a research on the local art system and artists in Melbourne – with a small side report from Perth.

When I came back to Italy, my idea was to make a book about emerging artists in Melbourne, with a similar concept to my Indonesia book. I wanted to give a synthetic but thorough introduction to a an art scene not well known abroad, this time making the book more narrative and focusing on the struggles of the emerging phase of an artist’s career. Because of other commitments – finalizing and publishing the Indonesian bookfreelancing steadily for magazines, curating exhibitions, starting out  as video-journalist and so on – I ended up working on it intermittently. That made it harder to pick up the book where I left and get back into the right mindset for writing again.

This summer 2015, after having struggled with a final draft of the book, I finally decided to put the project on hold indefinitely. Whether I’ll work on it or not in the future, a part of my research has been published on a number of Australian, Italian and international magazines. Even if the published material is just the tip of the iceberg, it can give you an idea of what I’ve looked at while in Australia – I find the interviews in particular a useful resource. In this long-winged post I’ll give you the coordinates of my reportage, plus the photostory of my research Down Under. 

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6

At the beginning of 2012 I started making research about Indonesian contemporary art and now I’m excited to had the chance to introduce some of these amazing artists to an Italian public through “Indonesia – Orienti Visioni Contemporanee” , a series of screening of video art in Villa Ada’s Art Project Space.
For this screening, part of MNAO Contemporary program, I wanted to show three completely different approaches to video art, presenting new-media pioneers Krisna Murti and Tintin Wulia, and the most irreverent bunch of punks in the whole Asia-Pacific, namely Punkasila and Slave Pianos.
Despite the title of the program, I tried to steer away from any kind of representation of “Indonesianess”. Krisna Murti makes an aesthetically mesmerizing observation on traditions slowly fading away. On the other hand, Tintin Wulia’s way of working goes beyond her nationality, in fact she works around the concept of nation and national boundaries itself. Punkasila and Slave Pianos, joining forces just like a crossover from some comic book, give space to their wildest fantasies, imagining an alien invasion starting from Java.
So, here a preview of what you will see this week if you happen to pass by the Art Project Space in Villa Ada.

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gamelan2

What the National Gallery of Victoria is trying to do with the Melbourne Now exhibition is to define the identity of Melbourne through its cultural practices, with a special focus on contemporary art.
I’m in Italy now, ironically writing my book about emerging artists in Melbourne, so I couldn’t visit the exhibition. Luckily my Australian friends and the artists that I have interviewed always keep me updated.
Some time ago I got a mail from artist Danius Kesminas, who told me about his new project with Slave Pianos for Melbourne Now, called Gamelan sisters (Sedulur gamelan). I posted some images, which gives you the feeling of this evocative machinery. On Slave Pianos’ website I find more information about it:

“Sedulur Gamelan (Gamelan Sisters) consists of two interlocking wooden structures that reconfigure elements of traditional Javanese architecture through the De Stijl philosophical principles of neoplasticism to create an abstraction of an 18th century double grand piano.

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danius

The italian web magazine Art a Part of Cult(ure) just published the interview I had in Melbourne with the artist Danius Kesminas, member of the Indonesian Punk-Rock Band/ Art collective Punkasila. The interview is part of my reportage about Indonesian Contemporary Art.

Here you are the link to the interview

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