Naima Morelli

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Tag "contemporary indonesian art"

LOCANDINAorientale

Great news! I have been invited by Prof. Antonia Soriente, professor of Indonesian language and literature at Università degli Studi di Napoli L’Orientale, to give a presentation on Indonesian Contemporary Art.

It’s a great honour for me – L’Orientale is the oldest school of Oriental Studies in Europe and the main university in Italy specialized in the study of non-European languages and cultures. It is still regarded today as one of the most prestigious universities regarding Asian cultures and languages.

Moreover, it’s going to be super interesting to chat with the students and find connections between Indonesian art and literature. It’s going to happen on December 15 at 2.30pm at Palazzo Mediterraneo, where l’Orientale is located. If you’re in Naples, don’t miss it!

Here is the Facebook event

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Productivity and Bohemia are concepts which are seldom associated.
You have to admit though that having grown up reading Sartre and Simone the Beauvoir – or at least having seen the pictures – you are not immune to the charms of café.

Every city has is own aesthetic when comes to cafés.
Not everyone is snob enough to live in Paris and go to the Café De Flore – whom has turned into an established place for loaded folks anyways.
What it is left to us is send to hell the Café De Flore, and create our own, well… café mythology.

If you live in Rome you certainly know the cafés Canova and Rosati in Piazza del Popolo.
During the sixties these two cafés gathered the so called “artists from Piazza del Popolo”, but now Canova and Rosati are the equivalent of the ultrachic cafés in Saint Germain, Paris.
Sure, it is always cool to pass by Piazza del Popolo and say hi to the Italian dandy artist Ontani– last time I checked he had a permanent permit to be parked at Canova – yet these cafés are too posh for us.
Same things with the cafés in Via Veneto, once Antonioni, Mastroianni and Fellini’s reign.

You have to consider as well that in Italy there is this tradition of kicking you out if you take too long to sip your coffee.
If you are in Rome and you are a writer looking for a place to read and write quietly, you will be likely accepted in some cosy and shabby-chic looking cafés in Via Giulia, Pigneto or San Lorenzo.
You can start to create your own café mythology from there.

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In these days I’m preparing the bibliography for my book about Indonesian Contemporary Art.
In the last year I have tried to read every single publication, magazine, website, brochure, article, blog post about art in Indonesia and, of course, try to speak to many people involved as possible.
These are some interesting books and catalogues that were important for me to start orientate in this world:

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Two ladies in their fifties were chatting amiably in the hall of the National Gallery of Victoria.
They dressed casually, both with sandals and baggy pants. They had decided to turn their usual boring Saturday afternoon into an entertaining on, why not, a cultural walk through one of the most interesting museums of Melbourne is not a crime.
With all the National Gallery has to offer, they have been lulled by the pastel shades of the paintings of the New Impressionists, in a new exhibition called “Radiance”. They have also visited the European Masters section and the Asian Art section at the second floor and they were quite content with what they saw.
Since the two ladies don’t feel conservative at all, they felt no disdain towards a visit to the contemporary art exhibition on the ground floor.

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Hyper-realistic paintings have never been one of my favourite, but actually, when it comes to Indonesian artist Dede Eri Supria, I’m getting more and more interested.
I was searching for information about the New Art Movement for my book on Contemporary Art in Indonesia and I ran into the video above.
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 Looking at the sheets of my Indonesian reportage stained with Java tea I really start missing Yogyakarta.

In these days I’m in my hometown Sorrento surrounded by mandarini’s smell, writing the first draft of my book about Contemporary Art in Indonesia.
I’m trying to recollect the memories of these days in Yogya, from the amazing studio of Heri Dono to the taste of the Pisang Goreng, the fried banana with melted javanese sugar and chocolate.

We don’t have original Java tea here in Sorrento; I’ve to content myself with the Lipton version.
Whatever, tea is tea. As Proust teaches: “As long as you have a madeleine, a pancake or a fried banana to be dipped in tea, you could recollect memories”, or something like it.
I feel like adding to Proust’s statement that all the contemporary art starts from a substantial breakfast. Definitively I’m on the good track.
Actually, can I have extra chocolate on my Pisang Goreng?

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