Naima Morelli

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Tag "contemporary art"

artshub12
When I chose to become a freelance journalist, the possibility of working from everywhere was extremely luring. And I experimented a little with it, especially that couple of years that I was based first in Melbourne, Australia, and then going back and forth between Rome and Sorrento every two weeks. I quickly found out that what I pictured as total freedom, actually required an unusual amount of discipline.

In this piece for ArtsHub I interviewed absolute experts on location independency: writers Shannon O’Donnel of A Little Adrift, Jeannie Mark of Nomadic Chick and artist Veronica Kent. In this sense writing for ArtsHub is fantastic because it gives me the chance to go around and ask questions on matters that I feel pressing. And being a full-time digital nomad is still something I give a lot of thought to.

Here’s the link to the piece

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Naples in December is possibly even more stunning and lively than normal, and walking from the train station to the Università degli Studi di Napoli L’Orientale in the winter sun has been truly a gift. Likewise, it has been a gift to have the chance to introduce contemporary art in Indonesia to the students in a seminar organized by Prof. Antonia Soriente. Prof. Soriente is a wonderful and inspiring women who is having a fundamental role in introducing Indonesian literature and culture to Italy, both with her work in the university and projects like translation of books. I was really honoured to be invited to her course.

The audience was great and there have been a lot of interesting questions popping up at the end of the lecture. Students were asking about the relationship of Indonesia with western art and eastern art, landscape painting and Mooi Indie, what role Islam is having in the contemporary art scene and also inquiring about the best way to approach contemporary art in general – as many of them are new to it. I deeply enjoyed engaging with students, as for me it’s always a chance to share and reflect, and most importantly being part of someone’s experience. With every single thing you do, you’re able to have an impact, however small it is – and you can learn so much through discussion! And now a few pics from the presentation…

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LOCANDINAorientale

Great news! I have been invited by Prof. Antonia Soriente, professor of Indonesian language and literature at Università degli Studi di Napoli L’Orientale, to give a presentation on Indonesian Contemporary Art.

It’s a great honour for me – L’Orientale is the oldest school of Oriental Studies in Europe and the main university in Italy specialized in the study of non-European languages and cultures. It is still regarded today as one of the most prestigious universities regarding Asian cultures and languages.

Moreover, it’s going to be super interesting to chat with the students and find connections between Indonesian art and literature. It’s going to happen on December 15 at 2.30pm at Palazzo Mediterraneo, where l’Orientale is located. If you’re in Naples, don’t miss it!

Here is the Facebook event

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artshub10

Hello from Singapore! Before leaving for the Lion City (I’m conducting interviews for my upcoming reportage), I was spurred by a comment by artist Grace Siregar to look at gender gap in the arts in South East Asia. I talked about it with a few people and wrote a piece on the subject for ArtsHub.

Here’s the link to the article

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memocairobiennale

When we turn our thoughts to contemporary art from Egypt, the first images that come to mind are political graffiti and militant posters. Our idea of Egyptian art is attached strongly to concepts such as uprising, revolution and the Arab Spring. In this piece for the webmagazine Middle East Monitor I look at how the upcoming Something Else Off Biennale Cairo is changing those labels and refreshing the Cairo art scene.

Here’s the link to the article

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0Time for a throwback. In February 2013 I left Italy for Australia. I lived in Melbourne for almost an year, and while I was there I started freelancing for English-speaking magazines – though I had already published a couple of pieces for Art Monthly Australia and others the previous year. There I developed a research on the local art system and artists in Melbourne – with a small side report from Perth.

When I came back to Italy, my idea was to make a book about emerging artists in Melbourne, with a similar concept to my Indonesia book. I wanted to give a synthetic but thorough introduction to a an art scene not well known abroad, this time making the book more narrative and focusing on the struggles of the emerging phase of an artist’s career. Because of other commitments – finalizing and publishing the Indonesian bookfreelancing steadily for magazines, curating exhibitions, starting out  as video-journalist and so on – I ended up working on it intermittently. That made it harder to pick up the book where I left and get back into the right mindset for writing again.

This summer 2015, after having struggled with a final draft of the book, I finally decided to put the project on hold indefinitely. Whether I’ll work on it or not in the future, a part of my research has been published on a number of Australian, Italian and international magazines. Even if the published material is just the tip of the iceberg, it can give you an idea of what I’ve looked at while in Australia – I find the interviews in particular a useful resource. In this long-winged post I’ll give you the coordinates of my reportage, plus the photostory of my research Down Under. 

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memonadiakaabilinke

“I never decide in advance why I want to talk about a subject; it just arises from the context. The wall in particular is a symbol that speaks to me strongly,” says Tunisian-Russian artist Nadia Kaabi-Linke, to explain her new work at Dallas Contemporary gallery. “For me, walls mean separation. But walls are also skins that say something about a city and the people who live there in hidden ways,” she observes. “I have always been interested in revealing the invisible.”

Nadia Kaabi-Linke was born in Tunis in 1978 to a Russian mother and Tunisian father, she studied at the University of Fine Arts in Tunis before receiving a PhD from La Sorbonne in Paris. Her installations, objects and pictorial works are embedded in urban contexts, intertwined with memory and geographically and politically constructed identities. She currently has a solo show, called “Walk the Line”, at Dallas Contemporary in Texas, USA, from September 20 until December 21. I have interviewed Nadia for Middle East Monitor , asking her about her personal path through art, the Tunisian contemporary art scene and the theme of migration in her work.

Here’s the link to the piece

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sintattica

The Italian magazine Art a Part of Cult(ure) has just published my review of the exhibition “Sintattica”, featuring artists Luigi Battisti, claudioadami e Pasquale Polidori. The show was curated by Francesca Gallo at Museo Hendrik Christian Andersen.

Here is the link to the review

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TimesMaltaGoliaGago
I generally don’t like snarky – you’d rather build something than destroy something, right? At the same time, when I’m in the snarky mood, I go full on. And of course, when that happen, I really enjoy the bravado. Otherwise how would I earn the title of contemporary art super-villain? Like in this piece for the Sunday Times of Malta, for which I love to put a desecrator of contemporary art attitude. You might say, making fun of contemporary art is way too easy, but I can’t help it; sometimes you just walk in an exhibition and you start rubbing your hands!

Here’s the link to the review

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invito_pan_indonesia
Tuesday, April 28 at 6pm PAN | Palazzo delle Arti Napoli will host the presentation of the book  “Arte Contemporanea in Indonesia, un’introduzione” by Naima Morelli. The presentation, supported of the Consulate General of Indonesia in Naples, will be introduced by curator Maria Savarese with the partecipation of Matteo Basilé, Antonia Soriente, Professor of Language ​​and Literature at the University of Indonesia L’Orientale of Naples, Valentina Levy, curator and Asian art historian and Vincenzo Montella, director of the center of art and culture Il Ramo d’Oro.

The book is an introduction to Indonesian contemporary art, which now occupies a prominent place in the international art scene, from both a market and cultural standpoint. Placing itself in the dialectic between the global and the local, the book analyzes how in Indonesia the cultural, artistic, political and social context have influenced four generations of artists. The author guides the reader in the contemporary art places in Yogyakarta, Jakarta, Bandung and Bali, looking for the answer to the question: is there really something called Indonesian contemporary art?

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I have just came back from two weeks in Paris. It has been an incredible time. I was there for the Art Paris Art Fair and the exhibition Secret Archipelago at the Palais De Tokyo – yet again on a reporting mission for Art a Part of Cult(ure), the Italian magazine I write for. My boss at Art a Part is the M to my Bond, the Charlie to my Angels, the Xavier to my X-Men, well, you get my drift! In Paris I’ve met with a number of interesting people and had chats with artists I wanted to talk to from a long time, including Eddie Hara and Richard Streitmatter-Tran.

The first week has been a whirlwind of interviews. I already knew what it means to do three interviews in a day – I did it before, and it was crazy! But five interviews in a day? That’s don’t-try-this-at-home insane! Luckily enough, I generally feel energized by working under pressure. Plus, all the artists and gallerists I talked with have been super nice. I can’t wait to share their interviews with you! In this situation it also helped to have the most amazing sidekick a journalist can ever had, a gorgeous Sorrentinian gal called Marta, who also hosted me in Paris. We jumped from metro to metro chatting endlessly about everything from Catilina (ancient republican Rome anyone?) to haircuts, all that while chewing a pan au chocolat (aux amandes, aux pistaches…) and rushing to the next interview.

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raven1

The Australian webmagazine RAVEN has just published my guide to the art galleries in Rome – I wish I has something like this when I first came to the Eternal city! But I’ve to say, it has been an amazing quest to discover all the galleries little by little – my constant practice as a vernissage gal has finally paid off! For this guide I’ve planned an itinerary which includes meals and gelato breaks. If you are in really a good mood you might get to visit all the galleries enlisted in one go!

Here’s the link to the guide

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