Naima Morelli

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Tag "comics"

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I love the end of the year so much. Looking back and taking stock of what worked and what didn’t, because acknowledging that even what apparently didn’t worked is the seed for something even bigger to happen. And also, recognizing that nothing is ever wasted, and everything will converge eventually, because it’s all you, all one person is one universe following his own personal trail of crumbs.

In the past few months I haven’t posted on the blog my regular rants/reflections on my journey through life. This is because I realized that instead of being focused on the present and what was at hand, I was rehearsing the “narrative of my life” a little too often. Too much of looking back and planning ahead, instead of sitting down, spot the priorities and get down to them. Which resulted a dispersive mindset and lazy habits. And now that is the right time to reflect, look back and appreciate, it just feels so much better. A few lessons have unfolded. And while of course everything is unfolding all the time, I feel that right now I can see a motif appearing, whereas in the past few months it was more the phase where everything was colliding before taking a recognizable form.

Enough with vagueness! Let’s get down to the specifics; one thing I learned this is that when you ask your friends for feedback in a particular area of your life they know you well for, they will always tell you that “in the past you were so much better at this.” Of course you know that this is not true. There were movements where you showed up with your higher self in that sector. One particularly focused training session, a period where you were really pushing with work, another week where you realized a set of very good comic book pages. Growth is never even. You’ll have moments where you are quietly learning in some areas and it doesn’t show, and moments where it finally come up. It’s a gift to have friends to keep you in check, but most importantly you have to regularly practice, day in day out.

On the edge of 2017 I can see how all the expressions of my being are starting to come together, and hopefully in 2018 they will find a way to coexist harmoniously as an even flow. Ok, let’s be more specific. I guess I’ll start by looking at the year through the lens of my different practices.

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My piece “How A New Generation of Graphic Novels Are Portraying Migration” has just been published on the webmagazine Global Comment. For this piece I spoke with graphic journalist Gianluca Costantini, comic book artist and illustrator Matt Huynh and SBS producer Kylie Boltin.

Here’s the link to the article

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A few weeks ago one of the coolest festivals in Rome took place at Forte Prenestino, an ex-jail turned occupied centro sociale. CRACK Fumetti Dirompenti is devoted to independent publications, comics, street art, zines, graphic work, art and books. This has been by far the more fun report for TeenPress; I have found so many friends joining the festival, each one looking for something different and getting a variety of inputs from the event. The theme this year was “The Capital”, alluding to the recent Italian scandal of Roma Capitale, but also to the relationship of artists with economic powers and dynamics. Enjoy the video (plus a couple of pictures below).

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Oky Rey Montha is an interesting pop-surrealist artist from Indonesia.
I already wrote a post about one of his painting “Dark Venice” here.
Oky just had a big solo show in the Galeri Canna in Jakarta. The title of the exhibition “Brigitta Queen” is referred to his new character, a mysterious girl from Moscow with her face constantly hidden behind a mask.
Here you are a gallery of photographs from the exhibition that can give you an idea of Oky Rey Montha’s visionary world:

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I came to know about the young Indonesian artist Oky Rey Montha from his solo show at Primo Marella Gallery in Milan and I’ll end up interviewing him for my book on contemporary art in Indonesia.

He seems to be the kinky and eccentric kink of artist that loves to get lost in his imagination.
With a dark, tim burtonian look and emo hair and makeup he’s directly out from one of his paintings.
His work reminds me of the pop-surrealism trend and is inspired by comics. Asian market sought this kind of paintings; at the same time Oky himself seems not to care too much about the market.
I look at him as a symbol of his generation that isn’t bother anymore with tradition and Wayang Puppets, but it’s more into pop and fantasy realms.
At the same time he knows how to take advantages of the web and he’s launching is own clothes collection called “Piratez” on facebook and on the blogosphere. He’s also an indie musician and loves to make drum performances during the exhibition openings.

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