Most of Agung Kurniawan’s artworks are based on memory. In his famous charcoal work “Very Very Happy Victims” , part of Singapore Art Museum’s collection, he uses a raw irony to depict the situation under Suharto regime, from ’67 to ’98.
He explained me the genesis of this work during my visit to Kedai Kebun Forum:
“I made Very Very Happy Victims in 1995. I was still a young an angry artist. It was a portrait of myself and the society at that time because at that time Indonesia economy was one of the best in Asia. At the same time we lived in a kind of fascist regime. Everything was controlled by the government. Indonesia was the copycat of Orwell’s book 1984.
I asked my friends if they feel ok and they reply “Yes, I feel happy, I can eat at McDonalds, school is not expensive, I can have very cheap prize” . So I portrait my generation that felt very happy even though was oppressed by the government. This is the reason why I called it “Very Very happy Victims”. We were happy because we didn’t realize we were victims. If we realize it we can fight, that’s the idea. ”
More about Agung activities on: kedaikebun.com
Read More
