Naima Morelli

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artapartd'o

Here’s my first published piece of two thousand and fifteen! Is there a more wonderful way to kick off the new year than an interview with curator Roberto D’Onorio and his project at Rialto Sant’Ambrogio in Rome?

Roberto is not just one of the most articulated and sensitive curators I know, he’s also a dear friend. This interview is already known in the sketchiest Roman art circles as the “notorious Naples interview” and it has been a lot of fun to do. It has been published by the Italian web magazine Art a Part of Cult(ure) with the title “L’immaginazione per reinventare la felicità” namely “The imagination to reinvent happiness”.

If you haven’t been to the Rialto Sant’Ambrogio yet, you totally should. It’s straight-up amazing! And now for the article:

Here’s the link to the interview (in Italian)

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blog2
Do you remember MSN? That fairly basic chat you used to spend hours on, chatting with your faraway summer friends during winter? Ten years ago MSN was one the first ways to keep all your “contacts” together.
Back then, my friend Enrico was very big on “contacts”. He was – and still is – a very friendly person who is comfortable with pretty much everyone. When he was thirteen the idea of having all his friends in one single place was to him the most exciting thing ever – right after Harry Potter I suppose. As for me, I used to considered other people being an annoyance most of the times – fictional people like Harry Potter included – so the fact that he was bragging about the number of his MSN’s contacts sounded funny to me. Fast forward to the Facebook era, my friend’s account is bursting at the seams, and so he periodically purges it – only to repent short time after and re-add his unfriended ones.

Today as a grown up girl I finally understand the importance of other people. I gave up my antisocial punk attitude and I started to appreciate talking and exchanging ideas with people big time. If I have to spot a precise time I decided cut on my misanthropy, I would say when I first encountered the Roman art world. At nineteen I was going to plenty of vernissages, often with my two best mates – “compagni d’arte” – and we were wondering about why all those caryatids, err, older people, didn’t want to talk with us. If you are not familiar with art openings in Italy, you should know that you seldom see younger people there. This was far from bothering me. I figured I just had to be more stylish, so I started wearing a little black dress, red lipstick and the right amount of boldness.

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limoni

I always sought a day-routine, the only way to get things done, like my graphics novel and, currently, my book about Contemporary Art in Indonesia.
I was very much inspired by this articles on the amazing Brain Pickings website and, of course, I didn’t miss the opportunity of breaking the routine that I made for myself to read it and share, and write this post… Whatever!
I always was the kind of girl making daily schedule to force me doing my work during the day. It started when I was in the High School because I didn’t have a lot of time to draw, between school and homework.
I drew and thinking and building the stories during school time and I realized it after homework.

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the

Hot white tea and a slice of cake.
Inspired by this Simonedebeauvoirian-Sartrarian-Camussarian extra
romanticized attitude of writing in the cafes instead of quietly staying
home and working hard, my old fellow Lucas and I started hanging out in the
in the cafes on Via Giulia, Rome every so often.

I was reading a couple of books to widen my perspective on Indonesian
Contemporary Art. For an insight into the  East/West dichotomy, the curator of Indonesia’s exhibition at MACRO, Dominique Lora, recommended Flavio Caroli’s “Arte d’Oriente Arte d’Occidente”.

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