Naima Morelli

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As I’m gearing up to leave for a reportage on contemporary art in Thailand in February, I’m gathering all the preliminary research in these pieces for Cobo. These encapsulate my core areas of interest (you might have read already 5 Thai Artists that Connect Us to Spirituality)

I really love to make those articles that gather artists by topic. I see them as so much more than simple listicles. I have the chance to research the practice of an artist in depth, and then distill the essence of their practice in a few paragraphs. In this way I’m also able to see how artists from the same country have different approaches to the same topic. By spotting similarities and differences, I can start grasping some sort of whole and overarching narrative.

Here is the link to the piece

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artshub8
UK/Australian webmagazine ArtsHub has just published my new piece: “The slow truth behind overnight success”. For artists, the fairy tale of a big break is usually only half the story. Years of preparation is often behind an ‘overnight success’.

Here’s the link to the piece

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For the “Nothing happened since yesterday – Due Artisti da Melbourne” exhibition, I organized a talk at Accademia di Belle Arti Roma – aka Rome’s Art Academy – with the two exhibiting artists.
The talk was hosted by Prof. Isabella Tirelli and was meant to fuel a discussion with the students about the path of artists after art school. I thought that the experience of Kenny Pittock and Georgina Lee could have been interesting for the students. To start as emerging artist in Melbourne is certainly easier in Rome, thanks also to a very tight community and the presence of artist-run space. I hoped that by comparing the Australian art system to the Italian one, the students could have been inspired and come with new ideas for their own art environment.
I started the talk by introducing the Australian context and my research on the Melbourne art scene. Then Kenny and Georgina went on talking about their own work.
I’m happy about the outcome of the talk. Some students asked about the conceptual process of making work, some others inquired about how an Italian artist could start exhibiting in Australia. Georgina replied very clearly to all the questions and Kenny made even the more impassible students laugh. A student called Francesco even made a drawing of Georgina and Kenny and gave to them as a gift!

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Extreme case: let’s say you are an art journalist doing a reportage in a remote third world country.
You do all the research, you use all the common sense and you even follow some “how to” on the internet.
Even then, you could find yourself in a difficult situation like: I fixed one month in advance an interview with artist Pinco tomorrow. But I just meet artist Pallino and I can interview him only tomorrow, because he leaves the day after tomorrow. A rapid check to your mailbox and… crap! The artist Pollaiolo wants to anticipate his interview…apparently he is free only tomorrow!
So, let’s make the point. We have three interviews to prepare in one single day.
And you wake up late today too!

Don’t cancel an interview. Don’t even think about it.
To cancel an interview is bad. It’s always bad.
I did that just two times and each time a dire calamity had struck me.
The first time my boyfriend threw me out of our house, the second time a crater suddenly opened in the ground devouring my beloved kitten.
So don’t do that. Seriously.

What you can do is forget about the tan today, ignore the heat and the shining sun and sit in front of your computer.
Now all your efforts will be concentrated on doing an accurate research and at the same time get all the work done as fast as possible.
I usually use the following method.

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