Naima Morelli

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Tag "art academy"

1ff

There is a mesmerizing Patti Smith’s song I used to listen to when I was in my teens. It’s called “Land” and tells – in a very surreal way – the story of this guy called Johnny. Since the chord progression wasn’t too complicatedly, I quickly learned to play it on the guitar. There was a particular line that made me pretty excited when I sang it. It was “I hold the key to the sea of possibilities”.

When I was seventeen I had a number of small abilities, but very little how-to knowledge.
My guitar practice alone branched off into my folk Neapolitan repertoire, my intimate Carla Bruni-like songs and my love for punk rock. These three aesthetics were not conflicting to me. That was confirmed by reading on a magazine that Norah Jones also had a punk band. I thought, if she does it, why I shouldn’t? (Well, if you have ever heard me singing and playing, the answer is pretty straightforward).

Way before I would learn the position for a E chord, I was making been comic books. Since I was born, I have never stopped drawing and creating stories. As often happens, I started making comic books since I was in high school and my school mates were my first readers. Never in my life I considered to stop that. Then of course, there was the writing. I was that annoying kid asked by the teacher to stand up and read her essay out loud. I didn’t really like to do that, mostly because my pulp Tarantino-confronts-Romero-on-the-theme-of-abortion like essays were meant to be read with a little verve. Which I completely lacked of . Anyways, at eighteen I started writing for an art magazine and a number of rock and general publications. Around the same time, I started covering every blank spot I could find in the city with graffiti. Man, that was real fun!

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manifesto accademia

Giovedì 29 maggio ore 15
incontro pre-mostra con gli artisti Kenny Pittock e Georgina Lee
incontro moderato da Isabella Tirelli e Naima Morelli

Thursday May 29 , 3 pm
pre-exhibition talk with artists Kenny Pittock e Georgina Lee
talk moderated by Isabella Tirelli and Naima Morelli

Accademia di Belle Arti
Roma via ripetta 222 Aula 207

Giovedì pomeriggio all’Accademia di Belle Arti di Roma si terrà il talk degli artisti australiani Kenny Pittock e Georgina Lee. La discussione, che coinvolgerà anche gli studenti, verterà sulle peculiarità del sistema dell’arte australiano rispetto a quello italiano e sul percorso artistico degli artisti emergenti in entrambi i paesi.
Nel corso dell’incontro gli artisti discuteranno la propria pratica artistica in vista dell’imminente mostra alla Galleria 291est, curata da me nell’ambito della rassegna Common Place. Inoltre, codiuvata dalla Prof. Isabella Tirelli, fornirò una breve introduzione del contesto australiano basandomi sulla mia ricerca condotta a Melbourne nel corso del 2013.

A talk by artists Kenny Pittock and Georgina Lee will be held at Rome’s Art Academy on Thursday afternoon. The discussion with the students will focus on the peculiarities of the Australian art system compared to the Italian one and on the emerging artists’ path in both countries. The artists will also talk about their work for their upcoming exhibition at Galleria 291est, Rome, curated by me for the Common Place series. Together with lecturer Prof. Isabella Tirelli, I will also give an introduction to the Australian context based on my research on the Melbourne art scene.

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2pic
Three years ago Isabella Tirelli, artist and professor at the Art Academy in Rome started a video project called “Dialogo con l’artista”.
The project was based on collective interviews to artists in their studio and was realized under the direction of videomaker Leonardo Settimelli.
Tirelli gathered students and ex students from the Art Academy – I fell into the latter category – and we visited the studios of the most amazing artists in Rome.
The most notable visit for me was certainly the one to Luigi Ontani’s studio in Piazza Popolo.
I wrote about Luigi Ontani work before (for this blog, Artribune and I-Magazine Bali) and I obviously love his art. Who doesn’t afterall?
Once I was in Naples and, going down the Museo Madre’s stairs, I saw Ontani around the corner. I was wearing his typical blue silk suit and there were two guys literally throwing at his feet whispering:”Maestro… maestro…”. Even if Ontani’s physical presence is enough inspire devotion among many, the artist himself is much more down-to-earth than his public persona.

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nietzsche

Robberto is a young artist based in Rome, native of Sardinia. I met him at the Pastificio Cerere, in Rome, and I soon find out that he studied at the Accademia di Belle Arti as well. He gave me this painting of Nietzsche – charcoal and chalk on wood – as gift. The back of the wood is slate, so the artwork is super-heavy. I needed some help to carry the artwork home.

Nietzsche is my favourite philosopher, his writing is incredibly powerful. He said “I’m dynamite” long before the AC/DC. 

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