Naima Morelli

Archive
Tag "art a part of culture"

1ff

There is a mesmerizing Patti Smith’s song I used to listen to when I was in my teens. It’s called “Land” and tells – in a very surreal way – the story of this guy called Johnny. Since the chord progression wasn’t too complicatedly, I quickly learned to play it on the guitar. There was a particular line that made me pretty excited when I sang it. It was “I hold the key to the sea of possibilities”.

When I was seventeen I had a number of small abilities, but very little how-to knowledge.
My guitar practice alone branched off into my folk Neapolitan repertoire, my intimate Carla Bruni-like songs and my love for punk rock. These three aesthetics were not conflicting to me. That was confirmed by reading on a magazine that Norah Jones also had a punk band. I thought, if she does it, why I shouldn’t? (Well, if you have ever heard me singing and playing, the answer is pretty straightforward).

Way before I would learn the position for a E chord, I was making been comic books. Since I was born, I have never stopped drawing and creating stories. As often happens, I started making comic books since I was in high school and my school mates were my first readers. Never in my life I considered to stop that. Then of course, there was the writing. I was that annoying kid asked by the teacher to stand up and read her essay out loud. I didn’t really like to do that, mostly because my pulp Tarantino-confronts-Romero-on-the-theme-of-abortion like essays were meant to be read with a little verve. Which I completely lacked of . Anyways, at eighteen I started writing for an art magazine and a number of rock and general publications. Around the same time, I started covering every blank spot I could find in the city with graffiti. Man, that was real fun!

Read More

donatoaustralia

Kenny Pittock and Georgina Lee’s double-solo exhibition “Nothing’s happened since Yesterday” at Galleria 291est, Rome, curated by me, has closed a few weeks ago. Here’s a selection from the press coverage of the event:

– An interesting and funny interview with Georgina Lee and Kenny Pittock by Donato Di Pelino on Art a Part of Cult(ure) – Italian

– Face Magazine listed “Nothing’s happened since Yesterday” as a “not to be missed” exhibition alongside Warhol and Frida Kahlo – Italian

– Exhibition preview on Art a Part of Culture – Italian

– The event on Artribune – Italian/English

– The event on Undo.net- Italian

– The event on Exibart – Italian

And the best is yet to come…  I can’t wait to see to video of the artists at work by Mauro Piccini from Hour Interview!

Read More

benjamin
The Italian web magazine Art a Part of Cult(ure) has  just published the interview I had in Rome with artist Benjamin Skepper with the title “Benjamin Skepper, l’olandese tra Australia, Tokio, Russia, resto del mondo e bellezza. L’intervista”. The interview is part of my reportage about artists in Melbourne.

Here the link to the interview

Read More

dipelino

The Italian web magazine Art a Part of Cult(ure) has just published my review of Martina Angius’ exhibition “Ordine” curated by Donato Di Pelino at Muga Gallery, Rome.

Here the link to the review

Read More

dailey

The Italian web magazine Art a Part of Cult(ure) just published the interview I had in Perth with the artist Peter Dailey. The interview is part of my reportage about the Perth art scene.

Here you are the link to the interview

Here you are my pictures of the artist’s studio

Read More

danius

The italian web magazine Art a Part of Cult(ure) just published the interview I had in Melbourne with the artist Danius Kesminas, member of the Indonesian Punk-Rock Band/ Art collective Punkasila. The interview is part of my reportage about Indonesian Contemporary Art.

Here you are the link to the interview

Read More

adityachandra

The Italian web magazine Art a Part of Cult(ure) just published my interview to the Indonesian artist Aditya Chandra H.  The interview is part of my reportage about Indonesian Contemporary Art.

Here you are the link to the interview

Read More

for1

In the chaos of an art fair is usually quite difficult to find some art work that attracts you straightaway. So was at the Roma Road to Contemporary Art Fair at MACRO Testaccio.
Actually, there was an exception.

Coming from Sorrento, a picturesque town near Naples, I was quite influenced by all the traditions, all the sort of stuff coming from people. The “Popolo”.
I never stop questioning about it. What is the Popolo? Does the Popolo really exist nowadays? What are the features of the Popolo?
From Jorge Amado to Pasolini, I enjoy the subject, that eventually became the topic of my thesis at the Academy of Fine Arts.

There’s one thing that a particularly like about the Popolo. It is how they mix the religion and the sacred with everyday life and how they show it through the objects.
Angelo Formica, the exception in the art fair I was talking about, takes this concept to the extreme with his artworks.

Read More

katerina

The italian web magazine Art a Part of Cult(ure) just published the interview I had in Berlin with the curator Katerina Valdivia Bruch. The interview is part of my reportage about Indonesian Contemporary Art.

Here you are the link to the interview

Read More

artapart

It’s been two years since my collaboration with Art a Part of cult(ure) began. My first article was about the japanese artist Masachi Echigo, you can read it here.

I’ve met Art a Part director Barbara Martusciello in a gallery in Piazza di Spagna, she was doing an interesting series of lectures about contemporary art.
At that time I already wrote for the magazine Arskey and the webmagazine Teknemedia, but I wasn’t very happy with them because they give me sort of limitations of style and criticize the artists was totally forbidden.

Read More