One of my favourite traditions for December is to do the year in review. This 2019 I hardly published introspective essays in this space, which is actually good, meaning the work took over.
Now time’s up to stop and share my self-reflections, acknowledge the achievements, learning from the mistakes, and generally look back in gratitude to the people, the places and the experiences. .
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Hong-Kong based website and platform for collectors CoBo Social has just published my review of the Southeast Asian Pavilions at the 2019 Venice Biennale. I looked at the different national propositions with interest and a bit of a critical eye as well.
Here is the link to the review
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Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.
Reach out: contact [at] naimamorelli.com
