Naima Morelli

Archive
Middle East
Nameer Qassim, “Enough”, 2020, Acrylic on canvas, 100x100 cm [Courtesy of The Palestinian Museum US]

Curated by Nancy Nesvet, head curator at the Palestine Museum in the US, the exhibition “From Palestine With Art” features 19 Palestinian artists from Palestine and across the diaspora.

“This is the strongest Palestinian presentation ever,” said Faisal Saleh, director of the Palestine Museum US. “In terms of the size, and the boldness of its pieces, it is a very significant, strong presentation. I think this is going to have a very big impact and get the Palestinian name out in a big way.”

I have reviewed the show for Middle East Monitor.

Here is the link to the piece

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Courtesy of Dia Mrad and Zawyeh Gallery

“The Road to Reframe” by Dia Mrad is a photo series capturing local architecture after the explosion at the Beirut port on Aug. 4, 2020, and one of the most interesting works that has been presented at Art Dubai.

I have interviewed the artist for Al-Monitor

Here is the link to the interview

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Middle East Eye has just published my gallery piece on a new exhibition which sheds light on coastal landscapes in Palestine, how they’ve changed over time and the narratives that have emerged.

A People by the Sea at the Palestinian Museum in Birzeit, aims to change the standard depictions of Palestine and showcase stories that are often overlooked.

Here is the link to the piece

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Podcasts have been my constant companions since their inception, so I was thrilled when artist and journalist. Joana Alarcão interviewed for her “Insight of an Eco Artist” podcast.

In the interview I spoke a ton about researching Southeastasian contemporary art, my writing about art in the MENA region and even a little about my graphic novels, so the interview was divided in two parts.

Here is part 1 of the podcast

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Farah Saleh in What My Body Can/t Remember (2019) © Chris Scott , courtesy of the artist

Where does a refugee find her homeland? Perhaps in unexpected places; a memory of the country might emerge through the most mundane gestures, or even from a simple interaction with certain objects.

I spoke about this subject with Palestinian dancer Farah Saleh for Middle East Monitor. Farah is preparing a new interactive live performance installation called PAST-inuous for the upcoming Dance International Glasgow.

Here is the link to the piece

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Joseph Kai

For my new piece for Al-Monitor I speak with a comic book artist and a photographer/editor about the queer community in Lebanon – and in Beirut specifically – and how it has changed over time.

Here is the link to the piece

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Diana Al Hadid [Diego Flores]

Musing around the work of an artist who draws her inspiration from multiple, diverse sources is always extremely enjoyable for me – especially if the artist’s references encounter my own, in a high-brow, low-brow dialogue.

In this piece I wrote about the outstanding work of Syrian-American artist Diana Al-Hadid, and read it in the light of both Buddhist philosophy and the Foo Fighters.

Here is the link to the piece

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art ramallah

Starting Palestine’s first ever art fair during a global pandemic may seem a daunting proposition, but for Ziad Anani and Yusef Hussein, of the Zawyeh Art Gallery, it was a much needed way to bring Palestinians together in testing times.

I reported and wrote the story for Middle East Eye.

Here is the link to the piece

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Hani Zurob

My latest piece for Middle East Monitor explores the work of Paris-based Gaza-born artist Hani Zurob.

In his latest series, “ZeftTime” the artist uses tar and broken glass to harrowing effect, as a metaphor for a shattered society. The works seems to suggest that amid tragedy there is no time to think and make up a narrative around what is happening; there is only the absolute presence of the emergency.

“This is the law of time,” Zurob points out. “Every passing moment is a new opportunity for a complete change.”

Here is the link to the piece

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Lebanese artist Etel Adnan in her home and studio, Paris. Photo: Stefan Ruiz

Sometimes you get the chance to delve deeper into the work of great artists only when they pass away and images of their art starts popping up here and there. This was the case for me with the ouvre of Lebanese artist Etel Adnan. I encountered her work upon her passing, and was mesmerized by it.

I quickly learned she had a life like no others, and at this point I couldn’t help myself writing about it. And I did, for Middle East Monitor. It goes without saying, when you write about art which deeply resonates with you, it’s really a blessing. The pen is aligned with the heart.

Here is the link to the piece

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Khaled Hourani

The webmagazine Al-Monitor has just published my piece on Palestinian gallery Zawyeh founded in 2013 in Ramallah, which recently relocated to Dubai.

Here is the link to the piece

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My fifth piece for Middle East Eye is about a Lebanese comic book which tells forgotten stories of country’s feminist struggle. Called ‘Where to, Marie?’, this comic book distils a century of overlooked feminist battles through the stories of five fictional characters. I have interviewed the authors.

Here is the link to the piece

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