My latest piece about Nabil Anani’s new show, currently at Zawyeh Gallery, just came out for The New Arab.
Nabil is one of the founders of the contemporary Palestinian art movement. His works highlight Palestine’s folkloric culture and seek to foster national pride beyond Israel’s 75-year occupation.
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Starting this year, Abu Dhabi is building a contemporary art scene tending to the local community, positioning itself as the main taste-maker in the discourse on the Global South in the Middle East.
I wrote a piece based on my latest trip to Abu Dhabi last month for Middle East Monitor.
Here is the link to the article
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My latest piece for Middle East Monitor is titled: “Saudi artist Hawazin Alotaibi rethinks gender norms and masculinity in the Gulf.”
It’s a piece of art criticism about this young artist, who doesn’t sheer away from using image distortion and experimental printing processes in order to create portrayals of male figures that contend with evolving conceptions of Arab masculinity.
![Works by Zeinab Saab as part of A thought is a memory, curated by Noel Maghathe. Presented by CUE Art Foundation, 2023 [Photo by Filip Wolak]](https://i0.wp.com/www.middleeastmonitor.com/wp-content/uploads/2023/04/My-project-1-5.jpg?resize=1200%2C800&quality=85&strip=all&zoom=1&ssl=1)
My latest piece for Middle East Monitor is about a collective show at CUE Art Foundation in New York reflecting on the hybrid identities of Arab Americans.
Called “A thought is a memory”, the show is curated by Noel Maghathe and runs until 13 May.
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The exhibition “Hijrah: In the Footsteps of the Prophet” and the documentary “In the Footsteps of the Beloved” are embracing historical and scientific evidence, signalling a change in Saudi Arabia. I wrote about it for Middle East Monitor.
Read More![The third edition of Ramallah Art Fair at Zawyeh Gallery in Ramallah [Instagram/ramallah_artfair]](https://i0.wp.com/www.middleeastmonitor.com/wp-content/uploads/2023/01/Untitled-1.png?resize=500%2C333&quality=85&strip=all&zoom=1&ssl=1)
The first article published this year is about the third edition of an atypical but important art fair that takes place in Ramallah, Palestine.
It’s the second year that I follow tis partly physical partly virtual art fair, and this time I spoke with the fair’s director for Middle East Monitor.
![Bashar Alhroub [Zawyeh gallery]](https://i0.wp.com/www.middleeastmonitor.com/wp-content/uploads/2022/11/portrait-with-sabeel-qaytobay-2-scaled-e1669216667126.jpg?resize=1200%2C799&quality=85&strip=all&zoom=1&ssl=1)
The new Dubai show of Ramallah-based artist Bashar Alhroub looks at his native city Jerusalem as a place with multiple identities. “When you are in Jerusalem,” Alhroub told me, “you never feel you are in one single place. You never feel that the city is belonging to anyone, although everyone claims it as theirs.”
The artist’s new show opened on 14 November at Zawyeh Gallery in Dubai, and last until 5 January. Called “Tracing Boundaries”, the artist focuses on Jerusalem as a religious symbol, while also looking at it as a subject of pop culture. He traces the boundaries between holiness and material culture and invites the visitor to observe a fine line between spirituality and commercial clutter.
I have interviewed the artist for Middle East Monitor
Read More![Le Monnaye de Paris, ASIA NOW’s location [Naima Morelli]](https://i0.wp.com/www.middleeastmonitor.com/wp-content/uploads/2022/10/1e6e4d869ad62566-photo-e1667220053301.jpeg?resize=1197%2C795&quality=85&strip=all&zoom=1&ssl=1)
With its two leading art fairs, Paris + Art Basel and ASIA NOW, as well as exhibitions scattered around the city, Paris Art Week 2022 had an extensive presence of Middle Eastern artists and galleries, and paid strong attention to the current situation in Iran.
I wrote the story for Middle East Monitor.
Here is the link to the article
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Women artists are gaining more and more relevance and traction in the contemporary art scene in Oman. Although the history of Omani women in art is fairly recent, their work conveys their singular experience and perspective within a continuously evolving culture.
Their artworks are also truly innovative in terms of the use of new technologies and their aesthetics; they’re aligned with the latest trends in contemporary art, yet steeped in historical research. I wrote the story for Middle East Monitor
Here is the link to the article
Responding to Impressionism, UAE artist Alia Zaal studied the natural landscapes of Vétheuil, Abu Dhabi and Dubai, both in their natural and artificial ecosystems, finding connections between her own UAE landscape and the impressionist one. The artist reimagines familiar scenes of the sea, the desert and the city lit by the sun, the moon and street lights.
I have interviewed Alia Zaal for Middle East Monitor.
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“I believe in destiny. And indeed the way I began with photography was a complete accident,” says Palestinian artist Rula Halawani: “It was just something that came to me.”
Born in Jerusalem in 1964, Halawani is influencing generations of young artists and photographers, both with her rich oeuvre, exhibited in shows, Biennales, and art fairs around the world, as well as her role as an art teacher and professor at Birzeit University in Palestine. I spoke to her for Al-Monitor.
Here is the link to the interview
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“The Visual Arts Forum started in the streets with the idea that art is an important tool for transformation,” explains Deema Ershaid, the Visual Art Forum’s Executive Director. “Palestinian artists felt a strong sense of responsibility during that phase, a feeling that they had to do something; they wanted a say in what was happening; they longed to be a part of people’s lives.”
I have interviewed Deema and artist Rafat Asad for Middle East Monitor, to talk about the development of the art school Visual Art Forum in Palestine.
Here is the link to the interview
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Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.
Reach out: contact [at] naimamorelli.com
