Naima Morelli

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Korea

There’s nothing quite like a biennale to help us take stock of the art world — not just artistic trends, but also the currents of thought flowing through culture at large. And 2024 has given us plenty of international biennales to do just that.

In the West, the Venice Biennale dominates the cultural conversation. But in Asia, two South Korean biennales serve as litmus tests for the state of contemporary Asian art. 

The first takes place in the city of Gwangju and is considered — rather hyperbolically — the Venice Biennale of Asia. The second is the Busan Biennale (originally called the Busan Youth Biennale), which these days is open to both young and not-so-young artists.

I wrote the article for Plural Art Mag

Here is the link to the piece

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My latest piece about Seoul for an Italian architecture and design magazine I started collaborating with, called IFDM design. The piece is about architecture, heritage, the coolest neighbourhoods and best spaces for art in the Korean capital.

Here is the link to the article

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Reporting from South Korea. My article on the Gwangju Biennale and the Busan Biennale is on Il manifesto, with a little extra: an interview with Nicolas Bourriaud, curator of the Gwangju Biennale.

It has been really cool to report on most of my recent trips to Asia this year for Il Manifesto – It has become a little tradition of sorts: picking up on Saturday the art supplements of the newspaper, get to my “third place” Zazie and read the issue in front of a steamy cappuccino.

Here is the link to the articles (in Italian)

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