A few weeks ago one of the coolest festivals in Rome took place at Forte Prenestino, an ex-jail turned occupied centro sociale. CRACK Fumetti Dirompenti is devoted to independent publications, comics, street art, zines, graphic work, art and books. This has been by far the more fun report for TeenPress; I have found so many friends joining the festival, each one looking for something different and getting a variety of inputs from the event. The theme this year was “The Capital”, alluding to the recent Italian scandal of Roma Capitale, but also to the relationship of artists with economic powers and dynamics. Enjoy the video (plus a couple of pictures below).
My interview with Tunisian-born, Italy-based graphic journalist Takoua Ben Mohamed has just been published on Middle East Monitor with the title “Drawing her own story from Douz to Rome”.
“‘I don’t actually read that many comic books,’ laughs Takoua Ben Mohamed. ‘And I have never set foot in a comic book fair.’ Don’t mistake what she says for a snooty, ‘I don’t read comic books, I only make them.’ Make what you’d like to see in the world, they say. More broadly, make something that embodies what you want to see in the world, whatever the medium you choose. It just so happens that the world of speech bubbles and comic strips is Takoua’s cup of tea.”
Here’s the link to the article
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Tiburtino III, Rome. In a neighborhood deprived of green areas, a small park is everything to kids and their families. This park has been built in the seventies, putting down buildings to make room to play. For TeenPress my colleague Ornella and I followed a party in the park organized by the Ludobus – a bus bringing old-school games to the peripheries of Rome. We sat with the people coming to bring their kids to the park and with regular dwellers. Tiburtino III is definitely a tough neighborhood, but the sense of community and the presence of people with incredible faces and attitude, makes it really welcoming and super-interesting! As you can tell from my jolly attitude from moment one in the video, we had loads of fun! Just get to the end of the video to see the bloopers… ah, Romans from the outskirt! You are so damn charming!
Thursday, June 25 at 5pm the Library of Oriental Studies at Sapienza University of Rome will host the presentation of the book “Arte Contemporanea in Indonesia, un’introduzione” by Naima Morelli. The presentation will be introduced by Filippo Salviati, professor of Eastern Asia archeology, art history and philosophies, with the partecipation of Michela Becchis, art critic and art historian, Francesca Gallo, professor of contemporary art, and Claudio Cozzolino, Press Office at Embassy of Indonesia to the Holy See.
The book is an introduction to Indonesian contemporary art, which now occupies a prominent place in the international art scene, from both a market and cultural standpoint. Placing itself in the dialectic between the global and the local, the book analyzes how in Indonesia the cultural, artistic, political and social context have influenced four generations of artists. The author guides the reader in the contemporary art places in Yogyakarta, Jakarta, Bandung and Bali, looking for the answer to the question: is there really something called Indonesian contemporary art?
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While with our fluttering dresses and carefree attitude we might not look like the toughest girls on the block, we gals of TeenPress love the borgata. So this time around we ventured to San Basilio, one of the most difficult neighborhoods of Rome. While San Basilio has a cozy architecture and great graffiti pieces, it is mostly talked about for its crime, killings and drug trade. In making this report my colleague Ornella and I had a couple of weird experiences ourselves. From a group of shirtless guys throwing clothespins at us from a window, to kids on scooters intimating us to put away our camera, not everybody was so friendly. At the same time, in the Centro Aldo Fabrizi we found an oasis of peace and protection. We documented the activities of the center in this video, hoping that it will be able to keep on growing a new generation of responsible and caring adults.
When I first came to Rome, I had my head full of Pasolini. I was in love with the idea of the borgata, but I ended up living in the more central Piazza Vittorio – which was pretty cool as well, but for other reasons – Chinese mafia anyone? Back then I was continuously thinking about the borgata with this sort of detached romanticism, but never dared to go there to explore it that much. Six years later – six months ago as I’m writing this – I went for a job interview with the news agency TeenPress. I was thrilled to know they were located in Pietralata, one of the historic borgate of Rome. But even then, for a long time I didn’t went beyond the short walk from the bus station to the door of the TeenPress office.
This report, dubbed “Pietralata Mon Amour”, gave us the chance to go deeper into the history of the neighborhood. The students of the local high school, together with the project Area Agio and the association GoTellGo, developed an app (called APPietralata) to explore Pietralata. It is a sort of audio guide which activates by walking around the neighborhood. I find this kind of projects just awesome on so many levels, and in the video below we explain why…
Read MoreBritish webmagazine Middle East Monitor has just published my article on Clandestine Integration. This project aims to foster dialogue between the African and the European shores of the Mediterranean by inviting artists to share a period on a sailing boat and creating original work on board.
Here’s the link to the article
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The Australian webmagazine RAVEN has just published my interview with Melbourne artist Sam Leach. I met Sam at Palazzo Bembo, in Venice, and we talked about the artist’s work in Personal Structures, a collateral exhibition to the Venice Biennale.
Here’s the link to the article
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It’s an endlessly fascinating world for a restless gal. So here’s a new video for TeenPress, the news agency based in Pietralata I’m collaborating with as interviewer. I have to admit I’m enjoying this job more and more, as I get to discover new realities I wouldn’t have otherwise encountered – let alone interact with. For example, I have been living in Rome since 2009, but I have to admit have never been to Rebibbia. I mean, why would I? This periphery of Rome is known just for its prison, and nothing more – at least that’s what I thought.
What we find out is that Rebibbia is an extremely multicultural area. No doubt multiculturalism is awesome, but clearly there are many problematics attached to it. Especially when it comes to education. In this report we explore the great job of integration the association Apriti Sesamo is doing at the local school Palombini. We hear from teachers, educators and children.
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“In a constant relating western and eastern art, Naima dissects and offers interesting models that make legible the ‘new’ culture even to those who aren’t introduced to it”
Arts writer and curator Maila Buglioni has written a very interesting review about my book “Arte Contemporanea in Indonesia, un’introduzione” for the webmagazine Artnoise. Check it out here (in Italian).
Picture above: Pinkswing Park, Collaboration work for CP Biennale by Agus Suwage and Davy Linggar, 2006. Courtesy of Tyler Rollins Fine Art.
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Published! Interview with Reko Rennie on Global Comment
My interview with Australian artist Reko Rennie has just been published on the webmagazine Global Comment with the title “Aboriginal Royalty at the Venice Biennale: Interview with artist Reko Rennie”. This interview is part part of my research about artists in Melbourne.
Here’s the link to the article
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