The Italian magazine Art a Part of Cult(ure) has just published my review of the exhibition “Sintattica”, featuring artists Luigi Battisti, claudioadami e Pasquale Polidori. The show was curated by Francesca Gallo at Museo Hendrik Christian Andersen.
Here is the link to the review
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I generally don’t like snarky – you’d rather build something than destroy something, right? At the same time, when I’m in the snarky mood, I go full on. And of course, when that happen, I really enjoy the bravado. Otherwise how would I earn the title of contemporary art super-villain? Like in this piece for the Sunday Times of Malta, for which I love to put a desecrator of contemporary art attitude. You might say, making fun of contemporary art is way too easy, but I can’t help it; sometimes you just walk in an exhibition and you start rubbing your hands!
A few weeks ago one of the coolest festivals in Rome took place at Forte Prenestino, an ex-jail turned occupied centro sociale. CRACK Fumetti Dirompenti is devoted to independent publications, comics, street art, zines, graphic work, art and books. This has been by far the more fun report for TeenPress; I have found so many friends joining the festival, each one looking for something different and getting a variety of inputs from the event. The theme this year was “The Capital”, alluding to the recent Italian scandal of Roma Capitale, but also to the relationship of artists with economic powers and dynamics. Enjoy the video (plus a couple of pictures below).
Tiburtino III, Rome. In a neighborhood deprived of green areas, a small park is everything to kids and their families. This park has been built in the seventies, putting down buildings to make room to play. For TeenPress my colleague Ornella and I followed a party in the park organized by the Ludobus – a bus bringing old-school games to the peripheries of Rome. We sat with the people coming to bring their kids to the park and with regular dwellers. Tiburtino III is definitely a tough neighborhood, but the sense of community and the presence of people with incredible faces and attitude, makes it really welcoming and super-interesting! As you can tell from my jolly attitude from moment one in the video, we had loads of fun! Just get to the end of the video to see the bloopers… ah, Romans from the outskirt! You are so damn charming!
While with our fluttering dresses and carefree attitude we might not look like the toughest girls on the block, we gals of TeenPress love the borgata. So this time around we ventured to San Basilio, one of the most difficult neighborhoods of Rome. While San Basilio has a cozy architecture and great graffiti pieces, it is mostly talked about for its crime, killings and drug trade. In making this report my colleague Ornella and I had a couple of weird experiences ourselves. From a group of shirtless guys throwing clothespins at us from a window, to kids on scooters intimating us to put away our camera, not everybody was so friendly. At the same time, in the Centro Aldo Fabrizi we found an oasis of peace and protection. We documented the activities of the center in this video, hoping that it will be able to keep on growing a new generation of responsible and caring adults.
My interview with Australian artist Reko Rennie has just been published on the webmagazine Global Comment with the title “Aboriginal Royalty at the Venice Biennale: Interview with artist Reko Rennie”. This interview is part part of my research about artists in Melbourne.
Here’s the link to the article
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When I first came to Rome, I had my head full of Pasolini. I was in love with the idea of the borgata, but I ended up living in the more central Piazza Vittorio – which was pretty cool as well, but for other reasons – Chinese mafia anyone? Back then I was continuously thinking about the borgata with this sort of detached romanticism, but never dared to go there to explore it that much. Six years later – six months ago as I’m writing this – I went for a job interview with the news agency TeenPress. I was thrilled to know they were located in Pietralata, one of the historic borgate of Rome. But even then, for a long time I didn’t went beyond the short walk from the bus station to the door of the TeenPress office.
This report, dubbed “Pietralata Mon Amour”, gave us the chance to go deeper into the history of the neighborhood. The students of the local high school, together with the project Area Agio and the association GoTellGo, developed an app (called APPietralata) to explore Pietralata. It is a sort of audio guide which activates by walking around the neighborhood. I find this kind of projects just awesome on so many levels, and in the video below we explain why…
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It’s an endlessly fascinating world for a restless gal. So here’s a new video for TeenPress, the news agency based in Pietralata I’m collaborating with as interviewer. I have to admit I’m enjoying this job more and more, as I get to discover new realities I wouldn’t have otherwise encountered – let alone interact with. For example, I have been living in Rome since 2009, but I have to admit have never been to Rebibbia. I mean, why would I? This periphery of Rome is known just for its prison, and nothing more – at least that’s what I thought.
What we find out is that Rebibbia is an extremely multicultural area. No doubt multiculturalism is awesome, but clearly there are many problematics attached to it. Especially when it comes to education. In this report we explore the great job of integration the association Apriti Sesamo is doing at the local school Palombini. We hear from teachers, educators and children.
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Australian magazine Onya has just published my article on “No One Ever Leaves For Good: Australian Artists Making It Internationally”. In the piece I analyse the attitude and expectations of Australian artists and curators when it comes to exhibit overseas or move abroad. This article is part of my reportage/research on emerging artists in Melbourne.
Here’s the link to the article
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Uk/Aussie webmagazine ArtsHub has just published my article “Australia’s biggest year at Venice” about the Australian presence at the Venice Biennale 2015 – which is unprecedented in terms of numbers and critical success. It was great to see these talented artists exhibit in the one of the world’s most prestigious events and have a chat with them over coffee… or ice cream.
Here’s the link to the article
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I’m back home after five days in Venice for the 56th Biennale di Venezia, reporting the event for ArtsHub and realizing interviews for Art a Part of Cult(ure). I had a great time, meet with extraordinary people and lost myself in the maze of narrow streets. Venice is so beautiful it cannot be. Between the pavilions, the “All the World’s Futures” show and the collateral exhibitions, the Biennale was overwhelming. So much great work around you couldn’t believe! I didn’t nearly get to see everything I wanted to see. Just like everyone, at the end of this tour de force I had my feet completely broken and I laid sick in bed for a couple of days. But even then, the spirit was high and I now I feel incredibly energized, happy and ready to take on the world! While you’ll see my articles about the Biennale coming out in the next few days (my personal selection for ArtsHub, the Indonesian pavilion on the Manifesto and the Australians in Venice are already out) here’s the visual counterpoint.
Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.
Reach out: contact [at] naimamorelli.com
Published! Interview with Koushna Navabi on Global Comment
I’m back at my desk (figuratively) after a few days hiatus. I didn’t go far really. I’m spending summer in my hometown Sorrento and I have been exploring the beautiful surroundings – Positano, Amalfi, Capri, Ieranto and so on – with my partner in crime, curator Roberto D’Onorio. (Here and here our visual diary where we shamelessly glamourize ourselves.)
Back to my beloved work, it was great to see that Global Comment published my interview with Iranian/American/London-based artist Koushna Navabi. I visited her studio one year ago, and I was fascinated by the delicate dark beauty of her art. Koushna left Iran at sixteen and flew to America. In her teen years, she discovered art, and felt in love with Europe. She therefore moved to London to attend the Goldsmith college, in the beginning of the Young British Artists movement.
Today Koushna is a successful artist living in London. Her work addresses the relationship between West and Middle East, Iranian identity and women issues. It is based both on memories and personal experience, but also discusses past and present politics of her native country. She considers art therapeutic for both the artist and the viewer. In this interview we talk taxidermy, orientalism in art, Koushna’s artistic process, her struggles to accept her Iranian identity and her final decision to embrace it.
Here’s the link to the interview
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