Naima Morelli

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indonesianaples
Contemporary Indonesian art and literature have found a new home in the Italian city of Naples. I talk about it in this article called “Making Naples a home for Indonesian art and literature” for ASEF culture360. I have been a regular reader of this webmagazine – part of the Asia-Europe foundation – so I’m excited to have become a contributor.

For the piece I have interviewed Professor Antonia Soriente from Università degli Studi di Napoli and gallerist Vincenzo Montella who have contributed to promote the dialogue between Naples and Indonesia.

Here is the link to the piece

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matisse1
We are back with a new report from the Palazzo delle Esposizioni in Rome, where we followed a workshop for children inspired  by the exhibition “Il Giardino di Matisse”, currently on in the Museum. This show displays the original art from the namesake book by writer Samantha Friedman and Italian illustrator Cristina Amodeo, who reinterpreted the work by Henri Matisse.

The book was created for the exhibition “Henri Matisse: The Cut Outs” at MoMA. This was part of a new project by the NY museum, consisting in publishing a book for every large show linked to its collection, and a collaboration with several houses national and international publishing houses. For Italy it’s Fatatrac.

The osmotic process ended up in this workshop at Palazzo delle Esposizioni, where children were trying their hand at the collage, helped by their parents. The workshop was in fact aimed at family – so that art can become a way to spend quality time together. Enjoy the video! (in Italian)

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indocollectorsmuseums
The Hong-Kong based webmagazine and platform CoBo has published my latest article called “Are Collectors Doing the Job of the Government in Indonesia?” In the piece I discuss the substantial role of Indonesian collectors in changing local art scene through the establishment of private museums – an act to substitute the role of local government’s in the promotion of contemporary art.

Here’s the link to the article
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interviewdeianira
Arts writer and curator Deianira Tolema – the gal behind Zero Hype Mag – has interviewed me for Art a Part of Cult(ure). She is the best interviewer I could hope for, a talented, committed writer and a kindred spirit in the journey in the contemporary art world – she goes west whereas I go east. In the piece (in Italian) called “Indonesian interferences with a Singaporean aftertaste. Interview to Naima Morelli”,  we talk about my start as a writer, my research in Indonesia, Australia and Singapore, and about my book Arte Contemporanea in Indonesia, un’introduzione

Here’s the link to the interview 

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5emergingindoartists
Every time a new article of mine gets published, I’m always so happy and grateful to have a job that allows me to make great discoveries and dwell on great art. That was certainly the case with this piece: “Five Emerging Indonesian Artists”, which has just been published on the webmagazine CoBo.

But of course, nothing comes without challenges. It wasn’t easy to limit myself to just five artists (or collectives, or duos), and of course I  wanted to go beyond the most obvious names that would tick the “emerging” box. On top of that, I tried to get a good ratio of women artists, that often don’t get enough press for a number of reason (I talk about that in another piece) – and yet they create amazing work. So here my version of the top five emerging Indonesian artists! Let me know what do you think, I’m happy to expand on this list in the future!

Here’s the link to the piece
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Yesterday was the opening night of the show “Attualità Indonesiane” at Il Ramo D’Oro in Naples, Italy, featuring artists Balinese artists Made Bayak, Gede Suanda and Naples-based Setyo Mardiyantoro. It was a successful and interesting night where people from many different background come together to learn about art making in Indonesia and the value of art in helping to grow awareness. The interesting thing about il Ramo D’Oro is its non-elitist approach. Gallerist Vincenzo Montella doesn’t want his space to be accessible only by vernissage hoppers, but rather to people from every walk of life.

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technotown
Who would ever expect to find a technology  wonderland right in the heart of the Villa Torlonia, Rome? Learning through play is the motto of Technotown, a building dedicated to children and teenagers to experiment with technology, nature and creativity.

Technotown consists in nine rooms equipped with different technologies, from Lego Mindstorms to the first plant ever to have a twitter profile. In this place children are no longer approaching technology in a mindless and lazy way. They are rather using it to imagine a sustainable future and developing new ideas.

I visited the place for a video report for the news agency Teenpress, guided by Technotown’s manager  Gabriele Catanzaro. It has been a blast of energy and excitement. Technotown is the sort of place which reinforces my hopes for a better future. In their own little world, Technotown is forging a new generation of lateral thinkers and innovators. It’s a thing of beauty! And now for the video…

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Welcome to another installment of my series on artist studio visits. This time we are peeking into the working space of Singapore artist Robert Zhao Renhui at Goodman Arts Centre. In the course of my reportage in Singapore I became familiar with this studio cluster, as many of the most prominent local artists are operating from here.

I find Robert’s studio pretty amazing. It is filled with the most strange objects and books related to science, biology and animals – included cushions shaped like kittens. If you are familiar with Robert Zhao artist practice, you will know he operates under the name of the fictional The Institute of Critical Zoologist. His work is all about developing a critical approach to the zoological gaze. This involves playing around with the believes of the viewer and acceptance of truths. Robert’s recent projects consider the increasingly ill-defined boundaries between the natural and the man-made.

Robert’s studio shows that zoology for the artist is not merely the subject of his work, but a real obsession. He demonstrates the theory of my friend curator Donato: “At the end of the day artist are people with single-minded obsession.”

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Australian magazine ArtsHub has just published my latest piece where I profile three Australian art professionals who are leaving their mark on the Singapore art scene. These are Ben Hampe, co-founder of Chan Hampe Galleries, Bala Starr from the Institute of Contemporary Arts Singapore at LASALLE and artist Belinda Fox. This piece is part of my reportage on contemporary art in Singapore.

Here’s the link to the piece

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book
I’m a big fan of reading how writers organize their research and how they put their books together. I figured it would be interesting to detail the way I’m working at my new book on young artists in Singapore. In this post I’ll walk you through the first few stages from the preliminary research to the first draft.

First phase: preliminary research.  I read articles about Singapore art scene and books on Singapore urbanism, political and economical situation. I interviewed Lee Wen when he was in Rome, I met up with Italian artists who went to Singapore on a residency, and talked to a couple of Singaporean curators visiting Italy, included Paul Khoo. I stayed two weeks in Paris for the Singapour en France event, composed by the Paris Art Fair and the exhibition “Secret Archipelago”. In both case I interviewed artists, curators and gallery owners. Back home, I talked with via skype to other Singaporean artists, mainly for magazine articles. Finally, I went to Milan to visit the exhibition “Bright S’pore” at Primo Marella gallery and saw some works in person.

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My series on studio visits is finally back! During my reportage in Singapore I had the chance to snoop around the working and sometimes also living space of local artists. First up is a wonderful Italian artist who now calls the Lion City home: Giada Tagliamonte aka Zada Tagli. Her work is delicate and poetic, and although she’s inspired by eminent figures of Italian culture, such as Giotto and Umberto Eco, the imaginary she evokes is really universal.  You will soon read my interview to her, which I realized in November – but for now I’ll let the images speak for themselves.

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pascal_martin_tajou
This is a public service announcement (with guitar! As the Clash would say); I’m working on a new book. It will revolve around my research on contemporary art in Singapore and will explore some concepts I started looking at in my previous book, Arte Contemporanea in Indonesia, un’introduzione.

Of course, having a second “baby” might look easier if you already had that kind of experience. But a second book comes with its new challenges. On top of that, I also had an aborted book which still is very much a looming presence. (Should we stop once and for all with these stupid baby metaphors when talking about book projects?)

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