Naima Morelli

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FendryEkel

The Hong-Kong based magazine Cobo has just published my interview with artist Fendry Ekel. Ekel moved from Indonesia to the Netherlands in the ’80s, where he studied art mentored by top-notch artists such as Luc Tuymans and Michelangelo Pistoletto.

Growing up in a family with a military background, for Ekel being an artist was an intentional choice. Painting is his medium of selection, and he is aware that the visual and conceptual aspects of an artwork go hand in hand. In his recent solo show “1987” at Galeri Nasional Indonesia, Fendry Ekel recreated a mental journey of the mankind through a series of monumental paintings.

Here’s the link to the interview
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TimesofAzerbaijan
I have been following Azerbaijan’s exploits in the contemporary art world for quite a while now, and it has been interesting to look at the backstory behind their success. The opportunity for doing so was given to me by this great and dramatic show by Azerbaijan artist Faig Ahmed at MACRO, Rome.

The show was food for thought itself – confronted with this melting traditional carpets it was impossible to leave Zygmunt Bauman and Aldous Huxley out of the equation. I have written the story for Escape, the Sunday edition of the Times of Malta.

Here’s the link to the piece

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indonesianaples
Contemporary Indonesian art and literature have found a new home in the Italian city of Naples. I talk about it in this article called “Making Naples a home for Indonesian art and literature” for ASEF culture360. I have been a regular reader of this webmagazine – part of the Asia-Europe foundation – so I’m excited to have become a contributor.

For the piece I have interviewed Professor Antonia Soriente from Università degli Studi di Napoli and gallerist Vincenzo Montella who have contributed to promote the dialogue between Naples and Indonesia.

Here is the link to the piece

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5emergingindoartists
Every time a new article of mine gets published, I’m always so happy and grateful to have a job that allows me to make great discoveries and dwell on great art. That was certainly the case with this piece: “Five Emerging Indonesian Artists”, which has just been published on the webmagazine CoBo.

But of course, nothing comes without challenges. It wasn’t easy to limit myself to just five artists (or collectives, or duos), and of course I  wanted to go beyond the most obvious names that would tick the “emerging” box. On top of that, I tried to get a good ratio of women artists, that often don’t get enough press for a number of reason (I talk about that in another piece) – and yet they create amazing work. So here my version of the top five emerging Indonesian artists! Let me know what do you think, I’m happy to expand on this list in the future!

Here’s the link to the piece
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memopalestinehiphop

My piece “New documentary puts Palestinian hip-hop in the spotlight” has just been published on the webmagazine Middle East Monitor. In this article I interview Giulia Giorgi, director of the documentary “Break the Siege” (Baburka Productions).

This uplifting 20-minute film gives an insight into the Palestinian hip-hop scene. The storyline follows preparations for the “Hip-Hop Smash the Wall” event which took place over the course of one week in Ramallah and Jerusalem in 2014 and brought together hip-hop artists from Palestine and Italy. In the piece I also spoke with Roman graffiti artist Gojo, who tells about his impressions of the hip-hop scene in Ramallah.

Here’s the link to the piece

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artshub15

Carving out time to work on creative projects doesn’t require an artist’s residency. A staycation is cheaper, simpler and focuses attention where you need it. My new piece “Take a creative staycation” looks at this fascinating trend and has just been published Australian/Uk webmagazine ArtsHub.

Here’s the link to the piece

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artshub14

Lovers, friends and family have always been the favourite source of inspiration for artists since the beginning of times. Of course, these involuntary muses are not always happy of being turned into characters of a story, or having their portrait on a gallery wall. This especially if the art deals with intimate, personal and potentially embarrassing themes.

Back in the day the artist could hope the subject matter was unaware of being included in the work. Today though it’s virtually impossible. An image or a review can be infinitely shared on social media. At the same time gallery access is not just for the elites anymore.

I this piece, which has just been published on ArtsHub, I discuss the ethics of including other people’s life in art with artist Geraldine Kang and writer Michele Lee.

Here’s the link to the piece

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AdityaNovali

My second piece for the Hong Kong based webmagazine CoBo is an interview with Indonesian artist Aditya Novali, one of the most curious and intelligent people I had the pleasure to talk with. Aditya is the paradigm of the versatile artist and has explored many ways of making work. He was also recently nominated for Best Emerging Artist Using Installation at the Prudential Eye Awards in Singapore.

Here’s the link to the interview

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eddiehara
I’m happy to announce my new collaboration with CoBo as a writer on Indonesian contemporary art. Cobo is an Hong Kong-based  webmagazine and dynamic community platform – bilingual English and Chinese – with the image of the collector at its core and a focus on contemporary art, especially from Asia-Pacific area.

My first piece for CoBo is an interview with the Basel-based Indonesian artist Eddie Hara, a great friend and a badass artist, who was represented by two galleries at Art Stage Singapore. Eddie Hara is known in the art world for his irreverence and playfulness and his painting style is extremely popular among the younger generation of Indonesian artists. Thus I decided to title the piece “the Punk Uncle of Indonesian Contemporary Art”.

In the interview Eddie Hara opens up about the decision that compelled him to move to Switzerland. He also recalls his decision – radical at the time – to study art, consequentially facing his family’s opposition. He talks about the comrades from the early days, who are now big names in the art world. From Heri Dono “he knows everything about my life”, to Mella Jaarsma and Nindityo Adipurnomo.

Here’s the link to the piece

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artshub13

Australian magazine ArtsHub has just published my latest piece where I profile three Australian art professionals who are leaving their mark on the Singapore art scene. These are Ben Hampe, co-founder of Chan Hampe Galleries, Bala Starr from the Institute of Contemporary Arts Singapore at LASALLE and artist Belinda Fox. This piece is part of my reportage on contemporary art in Singapore.

Here’s the link to the piece

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artshub12
When I chose to become a freelance journalist, the possibility of working from everywhere was extremely luring. And I experimented a little with it, especially that couple of years that I was based first in Melbourne, Australia, and then going back and forth between Rome and Sorrento every two weeks. I quickly found out that what I pictured as total freedom, actually required an unusual amount of discipline.

In this piece for ArtsHub I interviewed absolute experts on location independency: writers Shannon O’Donnel of A Little Adrift, Jeannie Mark of Nomadic Chick and artist Veronica Kent. In this sense writing for ArtsHub is fantastic because it gives me the chance to go around and ask questions on matters that I feel pressing. And being a full-time digital nomad is still something I give a lot of thought to.

Here’s the link to the piece

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TimesMaltaFotografia
Times of Malta’s Sunday magazine Escape has published my review on Fotografia, the international photography festival of Rome. It was good fun to write it – and if you are wondering how the selfie mentioned in the article actually looks like, look no further.

Here’s the link to the piece

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