My new article for the Financia Times is about a new breed of Korean collectors, the so-called Generation MZ, a terms tha stands for millennials and Gen-Z.
They are focused on works under $50,000, either buying with family money or their own entrepreneurial cash, including at the upcoming Frieze and Kiaf fairs.
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Born in Semipalatinsk, Kazakhstan, shortly before the end of the USSR, artist Gulnur Mukazhanovahas been working with textiles since beginning her practice, and influenced by Kazakh traditions, employs felt as a primary material.
Spiritual and emotional, her abstractions are informed by issues concerning identity and the transformation of traditional values of her native culture in the age of globalization.
I have interviewed the artist for The Times of Central Asia
Here is the link to the interview
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I have been interested in Libyan art, culture, and literature – as well as its relationship with its Italian colonial past – for a few years now. And every time I look at this country through a different facet, there is so much to discover.
This time I looked at the erasure of the colonial architectural heritage in Benghazi and Tripoli, gathering different viewpoints from Libyans, and their memories attached to these buildings.
I wrote the story for Al-Jazeera, with the title “Cultural treasure or painful reminder? Libya’s colonial architecture.”
Here is the link to the article
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My latest piece for the Times of Central Asia is entitled “Almaty’s Aspan Gallery Champions Central Asian Art at Home and Abroad.” For this article, I have interview Aspan Gallery’s director Meruyert Kaliyeva.
Here is the link to the interview
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In her work, currently on show both in Athens and at the Venice Biennale, Moroccan Artist Bouchra Khalili highlights the power of storytelling for the disenfranchised subjects of history.
Here is the link to the article
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The Kazakh pavilion “Jerūiyq: Journey Beyond the Horizon” at the 60th International Art Exhibition of the Venice Biennale, from April 20 to November 24, represents a major milestone in changing perceptions of Kazakh art.
Staged in the Naval Historical Museum, the exhibition reinterprets the ancient legend of Jerūiyq, drawing inspiration from Kazakh myths and the visionary journey of the 15th-century philosopher Asan Kaigy.
I have interviewed the Pavillion’s curator Anvar Musrepov for The Times of Central Asia.
Here is the link to the interview
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Aside from big names such as Marina Abramović, the Balkan region is little known globally, making it ripe for collectors.
I have interviewed some of these artists, collectors and galleries for the Financial Times.
Here is the link to the article
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I have interview artist Maria Madeira and reviewed “Kiss and Don’t Tell,” Timor-Leste’s inaugural pavilion at the Venice Biennale for Plural Art Mag.
The show amalgamates Timorese traditions, personal narratives of displacement, and universal struggles for identity.
Here is the link to the article
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The Italian newspaper Il manifesto has just published two pieces of mine. One is an article reflecting back on the art week and the art marketin Hong Kong, the second is an interview with artist Kingsley Ng who did a commission for the façade of the Peninsula Hotel in Hong Kong.
Here is the link to the article
Read More![The "South West Bank" show at Palazzo Mora [Naima Morelli]](https://i0.wp.com/www.middleeastmonitor.com/wp-content/uploads/2024/04/IMG_3287.jpg?fit=1067%2C800&ssl=1)
My first report from Venice. Besides the controversy around the closed Israeli Pavilion, in this article for Middle East Monitor I look at three shows representing different facets of Palestine at the 2024 Venice Biennale
Here is the link to the article
Read More![Malaysian-Palestinian artist Mandy El-Sayegh .[Photo Abtin Eshraghi. Courtesy of the artist and Lawrie Shabibi]](https://i0.wp.com/www.middleeastmonitor.com/wp-content/uploads/2024/04/Portrait-of-Mandy-El-Sayegh-in-her-studio.-Photo-Abtin-Eshraghi.-Courtesy-of-the-artist-and-Lawrie-Shabibi-1536x1025-1.jpg?fit=1199%2C800&ssl=1)
Middle East Monitor has just published my latest interview with Malaysian-Palestinian artist Mandy El-Sayegh.
Based on assemblage and cultural hybridity, the artist’s work uses artifacts from contemporary culture to speak of the current political climate.
Here is the link to the interview
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Over the past three years, there has been a shift in perception around the Saudi Arabian art scene, and at this year’s Desert X AlUla, artists benefitted from freer expression.
I have review the art festival for the German webmagazine Qantara.
Here is the link to the article
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Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.
Reach out: contact [at] naimamorelli.com
