Naima Morelli

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indomemory

The webmagazine/platform Cobo has just published my piece entitled “Three Indonesian Artists Between National History and Personal Memories”, featuring work by FX Harsono, Jompet Kuswidananto and Boedi Widjaja, plus a mention to an iconic piece by Dita Gambiro and Rifqi Sukma. As always, I have decided to mix artists that are staples of Indonesian contemporary art (such as Harsono and Jompet) with others that might not be household names yet!

For the rest, I’m in a blessed phase of working (almost) uninterruptedly on the third draft of my book on contemporary art in Singapore. When you concentrate on one single thing, ideas are connecting and synapses are snapping like never before! Writing this book is a great learning process for me and gives me the chance to expand on ideas I explored in my book on Indonesian art, seeing how these have evolved over time, with my experiences and chats with artists. But I’m digressing; below the link to the article on Indonesian artists and memory!

Here is the link to the piece

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Immagini 031
“Actually, this is a really good idea”, said my dentist throwing his blood-drenched gloves in the bin. He had just pulled out my wisdom tooth, making me more sore and more wise – pain is supposed to be the highway to wisdom after all, isn’t it? The dentist wholeheartedly approved of my habitual taking July and August away from my Rome life. That time wouldn’t be exactly “off”. I would in fact catch up on project that need breadth and space, dedicate to articles that I never have time to pitch, books that I never have the peace of mind to sit and read. Most importantly, I’d refine what I have learned in the previous months.

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IndoNature
My new piece “Five Indonesian artists that help us rethink nature” has just been published on Cobo. In recent years I came to feel very strongly about environmental issues and I’m a big believer that art can really help people connect with our planet on a deep level. Channelling the spirit of the times, contemporary Indonesian artists are tackling the theme of nature in a unique way.

Here’s the link to the piece

ps: Cobo has new flashin’ fb page, check it out!
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ArchitectureBiennale

Hong-Kong based magazine Cobo has just published my report on this year’s Venice Architecture Biennale curated by Chilean architect Alejandro Aravena. The overarching theme for the show is “Reporting from the Front” and the Asian pavilions are very much in the spotlight.

Here’s the link to the piece

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TimesMaltaKentridge
For Escape – the Times of Malta’s Sunday magazine – I cover sensitive issues that are or have been in the art-related news. The news are for me a starting point for reflections, and this time around I couldn’t help to associate the polemics around contemporary Southafrican artist Kentridge’s murales on the walls of the Tiber, with self-righteous grassroots movement in the capital.

Of course what everything comes down to is a philosophical stance, spelled out by Kentridge himself: “Everyone’s triumphs and glories are someone else’s laments and shamefulness”

Here is the link to the piece

 

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gcfondazioneprada

Last month I visited the art space Fondazione Prada in Milan with my curator friend Roberto D’Onorio. It was an interesting experience, both for the exhibition itself, by Goshka Macuga, and for the heavily regulated art space.

In this piece for Global Comment Roberto, Alexis de Tocqueville and Miuccia Prada herself all helped me think what Fondazione Prada stands for in the contemporary art landscape – and it is not what it looks like.

Here is the link to the piece

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TimesofAzerbaijan
I have been following Azerbaijan’s exploits in the contemporary art world for quite a while now, and it has been interesting to look at the backstory behind their success. The opportunity for doing so was given to me by this great and dramatic show by Azerbaijan artist Faig Ahmed at MACRO, Rome.

The show was food for thought itself – confronted with this melting traditional carpets it was impossible to leave Zygmunt Bauman and Aldous Huxley out of the equation. I have written the story for Escape, the Sunday edition of the Times of Malta.

Here’s the link to the piece

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indonesianaples
Contemporary Indonesian art and literature have found a new home in the Italian city of Naples. I talk about it in this article called “Making Naples a home for Indonesian art and literature” for ASEF culture360. I have been a regular reader of this webmagazine – part of the Asia-Europe foundation – so I’m excited to have become a contributor.

For the piece I have interviewed Professor Antonia Soriente from Università degli Studi di Napoli and gallerist Vincenzo Montella who have contributed to promote the dialogue between Naples and Indonesia.

Here is the link to the piece

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gcElliotAckerman

I’m glad I have a job that allows me to dwell on the many interesting inputs that I get from cultural experiences. I have been recently struck by the novel “Green on Blue”, by American writer and former marine corps special operations team leader Elliot Ackerman, and read a bit about his extraordinary life and work.

“Green on Blue” is a compassionate coming-of-age story, written from the perspective of a young Afghan orphan. The book is a great lesson on empathy and the coexistence of multiple narratives. In his work he touched the culture and the soul of what for him – serving five tours of duty in Iraq and Afghanistan – was “the enemy”.

While today the majority of intellectuals in the western world reject violence altogether, Ackerman sees violence and war as an inevitable evil. Steering clear from any kind of romanticism or narcissistic elegy of courage, he rather appeals to the concept of responsibility for educated people.

Is it possible to follow orders and practice obedience when you are an intellectual? How to develop empathy towards your enemies, accept their narrative, and still be able to fight, risk your life and kill? Can sensitivity and toughness coexist – and would that really make war less cruel? In this piece for Global Comment I reflected on these problems, drawing my conclusions from the author’s life example and writing.

Here’s the link to the piece

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indocollectorsmuseums
The Hong-Kong based webmagazine and platform CoBo has published my latest article called “Are Collectors Doing the Job of the Government in Indonesia?” In the piece I discuss the substantial role of Indonesian collectors in changing local art scene through the establishment of private museums – an act to substitute the role of local government’s in the promotion of contemporary art.

Here’s the link to the article
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5emergingindoartists
Every time a new article of mine gets published, I’m always so happy and grateful to have a job that allows me to make great discoveries and dwell on great art. That was certainly the case with this piece: “Five Emerging Indonesian Artists”, which has just been published on the webmagazine CoBo.

But of course, nothing comes without challenges. It wasn’t easy to limit myself to just five artists (or collectives, or duos), and of course I  wanted to go beyond the most obvious names that would tick the “emerging” box. On top of that, I tried to get a good ratio of women artists, that often don’t get enough press for a number of reason (I talk about that in another piece) – and yet they create amazing work. So here my version of the top five emerging Indonesian artists! Let me know what do you think, I’m happy to expand on this list in the future!

Here’s the link to the piece
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memopalestinehiphop

My piece “New documentary puts Palestinian hip-hop in the spotlight” has just been published on the webmagazine Middle East Monitor. In this article I interview Giulia Giorgi, director of the documentary “Break the Siege” (Baburka Productions).

This uplifting 20-minute film gives an insight into the Palestinian hip-hop scene. The storyline follows preparations for the “Hip-Hop Smash the Wall” event which took place over the course of one week in Ramallah and Jerusalem in 2014 and brought together hip-hop artists from Palestine and Italy. In the piece I also spoke with Roman graffiti artist Gojo, who tells about his impressions of the hip-hop scene in Ramallah.

Here’s the link to the piece

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