Naima Morelli

Archive
October, 2024 Monthly archive
Asia Now 2024

We’ve all heard the joke about art lovers who don’t necessarily celebrate Christmas and Easter, but they definitely celebrate Frieze and Art Basel. This ritualistic aspect of the art world hasn’t escaped Asia NOW, whose tenth anniversary show is aptly titled ‘Ceremony’.

Guided by the ethos of positioning itself not just as another art fair, but as a curated platform presenting Asia to a European audience, Asia NOW has chosen the artistic direction of Radicants, the curatorial cooperative founded by Nicolas Bourriaud, for its main exhibition.

I have written about it for The Art Newspaper France.

Here is the link to the article

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Mehdi Qotbi - Overview | So Art Gallery

I spoke with Moroccan artist Mehdi Qotbi who found his passion almost by chance and now, after 50 years, is being celebrated in a major exhibition in Paris at l’Institute du Monde Arabe. The piece has been published by The New Arab.

Here is the link to the interview

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immagine per Friche, Belle de Mai © Caroline Dutrey

This summer I visited for the first time Marseille, to do a little research on the comic book scene there. I have found an incredible lively scene, which provided me with many insights about art, life, and how a community comes together around shared values.

I wrote the piece in Italian for the webmagazine Art a Part of Culture.

Here is the link to the article

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My latest piece about Seoul for an Italian architecture and design magazine I started collaborating with, called IFDM design. The piece is about architecture, heritage, the coolest neighbourhoods and best spaces for art in the Korean capital.

Here is the link to the article

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Reporting from South Korea. My article on the Gwangju Biennale and the Busan Biennale is on Il manifesto, with a little extra: an interview with Nicolas Bourriaud, curator of the Gwangju Biennale.

It has been really cool to report on most of my recent trips to Asia this year for Il Manifesto – It has become a little tradition of sorts: picking up on Saturday the art supplements of the newspaper, get to my “third place” Zazie and read the issue in front of a steamy cappuccino.

Here is the link to the articles (in Italian)

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I have realized an interview with Palestinian artist Dina Mimi for Middle East Monitor. A compelling voice in the contemporary art scene, Dina Mimi’s work incorporates video, sound, performance and text to investigate the physicality of resistance in Palestine.

Here is the link to the interview

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Being a foreigner is more than a state of mind. It is a state of the soul. The foreigner’s journey can be painful or enriching. Often it is both, as illustrated by a number of Arab artists at the 60th International Art Exhibition in Venice, which continues through November 24.

Stranieri Ovunque, or Foreigners Everywhere, the theme of the Biennale chosen by curator Adriano Pedrosa, subverts the linear Western art trajectory by bringing outsider narratives to the forefront. The theme allows for explorations of identity, ethnicity, gender and belonging.

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“Forty-five minutes before the preview opening of the Venice Biennale in April, there was already a long line of sleepy people waiting at the Arsenale. Half were elegantly dressed Arab women.

When Saudi artist Manal AlDowayan showed up a few minutes later with a big red smile, she was greeted by a peal of excited squeals. The line scattered, and the artist was cocooned for a group selfie. “They are Manal’s cousins,” explained an amused man in the line.

Most of these women have never been to the Venice Biennale before. It was AlDowayan’s participation that drew them. This was a chance to root for their heroine while enjoying what in Saudi Arabia has become the chicest of activities: art appreciation.”

My second piece interview with Manal has been published on the Saudi Magazine Hadara.

Here is the link to the interview

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