Despite a lack of cultural spaces, as well as ongoing political and economic instability, Libyan artists are determined to nurture their diverse arts scene.
I have spoken to a few of these important figures, working from Tripoli, Benghazi or from abroad, for Middle East Eye.
I’m so proud to announce the publication of the new catalog of late painter Anna Salmoni (Naples 1938 – Florence 2019) called “Intimi Estranei”, which features my critical text. The catalog presents for the first time a comprehensive perspective on the haunting and evocative work that this incredible artist realized over a lifetime.
This book is not only to share these paintings with a wider audience but is also an important step in enhancing the complex artistic production and reading it in a new key, given the contemporary context. Laura Albano – photographer and daughter of the artist – did a huge work of cataloging, sorting, archiving, and tracking down the different works owned by Salmoni’s collectors.
A couple of months ago I have interviewed for Global Comment two of my favourite graphic novel authors, the creative couple Teresa Radice and Stefano Turconi. The interview has just been published; we delved into the creative process behind their most interesting work.
It was an honour and a privilege to start my collaboration with Larry’s List with this interview with one of the people I admire and respect the most in the art world: Andonowati.
She is not only a extremely savvy collector with a heightened sensitivity for art, but also an accomplished mathematician, a collector, a gallerist, a business person, an art initiator, and entrepreneur and also an incredibly compassionate and kind human.
I first met her through my research on Bandung-based artist Eddy Susanto and learned about her gallery and foundation Lawangwangi Creative Space in Bandung. In 2010, Andonowati launched the Bandung Contemporary Art Award (BaCAA) — one of the most prestigious art awards in Southeast Asia, which I took part of as a judge in 2019.
Naima Morelli is an arts writer and journalist specialized in contemporary art from Asia-Pacific and the MENA region.
She has written for the Financial Times, Al-Jazeera, The Art Newspaper, ArtAsiaPacific, Internazionale and Il Manifesto, among others, and she is a regular contributor to Plural Art Mag, Middle East Monitor and Middle East Eye as well as writing curatorial texts for galleries.
She is the author of three books on Southeast Asian contemporary art.